Nicole Eisenman: AL-UGH-ORIES at New Museum

Nicole Eisenman (b. France 1965) is a figurative painting whose works speak volumes ranging from art history, to contemporary pop culture to social commentary.  Her explosive exhibition at New Museum contains mostly large scale oil paintings that are provocative & pensive.  Included in the show are 2 large sculptures, a departure from her oeuvre & arresting in their content.  One is an all white porcelain  androgynous figure gorging on a triangular form.  The figure is adorned with a necklace of multiple shapes & symbols.   Eisenman's paintings captures something from the works of Guston, Picasso and German Expressionist.  She portrays round, comical shaped figures, exaggerated facial features and inebriated debauchery depictions.  Amidst the dreariness of isolation & dystopian societies are a few lighter, humorous works.  "Selfie" is a clever self-portrait & reflection on our narcissistic indulgences.  The 1st gallery contains 4 large portraits & one expansive mural/collage that demonstrates her multi-talented painterly techniques and satirical subject matter.  This sea bearing mural is an endlessly fascinating work.  In the painting "Deep Sea Diver" the diver's gear appears fluid & depicts a jocular face in its collar.  But, the diver looks despondent and resigned to his task.  Perhaps, his work entails the recovery of bodies.  Death, economic ruin, dystopia, loneliness & worst of all obscurity are the prevailing themes.  The painting "The Maiden" shows an elderly woman holding holds with the grim repear & is particularily melancholy.  More disconcerting is "The Tea Party" 4 men, including a dismal Uncle Sam are ensconced in a survivalist shelter armed with arsenal.  "Family Dysfunction" is one of the most disturbing paintings.  It is small & mounted apart & alone.  The painting is of an infant mutilating his genitals, the father is getting stoned and the commando mother pre-occupied. Even paintings of couples or people enmasse, there is a strong sense of dissociation.  Nonetheless, Eisenman's work can be appreciated on many levels, not the least her mastery of figurative painting.   Her sardonic & biting commentary are presented with such vibrant colors & playfulness the exhibition is delightful & engaging rather than just a mournful allegory.