Norwegian Film WORST PERSON in the WORLD Pretention to Perfection

The Norwegian Film The WORST PERSON in the WORLD is pretentious, garrulous and engaging.  Julie (a beguiling Renata Reinsue) is a talented, beautiful 20 something.  She is a feckless ingenue who only wants what's elusive.   She is brilliant and very much in love with being adored and too easily bored.  Her hard work and top grades earn her a coveted med school spot.  In med school she realizes it's not the body but the mind that fascinates her and changes her major to psychiatry.  Julie would make a great case study as she traverses her indecisive career and love paths.  The film stars and all Norwegian cast.  Director and screenwriter Joachim Trieh received an Acad. Award for Best Screenplay.  The film won the Acad. Award for Best Int'l Feature in 2021.  The 2 hour+ Norwegian language film will appeal to the artsy audience who can trudge through hours of verbose angst.  The voiced narrative takes a fond view of its heroine; an adult with commitment issues with relationships and career paths.  The millennial milieu of reinventing oneself and a healthy disregard to the future are topics explored.  Julie leaves one admirer for another with seeming little regard.   Aksel (Andes Lie) a successful, somewhat older comic book writer.  In the aftermath of lovemaking Aksel breaks up with Julie telling her that their relationship is doomed for failure.  She appears ambivalent at the moment only to release as she's leaving she's in love and reignites their affair.  The magical montage of a happy couple ensues but is marred when they go to visit Aksel's married friends with kids.  The topics of marriage and family are brought up by Aksel and rebuffed by Julie who isn't sure that is what she wants in life.  There's an interesting visual effect where everything and everyone is frozen in time except for Julie when she runs to be with someone whose in a relationship with someone else.  It's obvious the world revolves Julie and major life decisions can remain on hold perhaps indefinitely.  The film meanders leisurely without a sense of urgency.  Julie discovers she is pregnant and is unsure if she's happy to be pregnant or involved with the father whose merely a barista.  For film buffs who find the quandaries of quotidian life for attractive millennials engaging if less than meaningful, there is plenty to mull over perhaps over wine.  There are many relatable character flaws for the viewer to find fault and whine about.  This is an intriguing film about pretty people's petty problems which help you to escape your own for awhile.  I recommend this seemingly facetious feature as fun and worthwhile.   

HUSTLE Starring Adam Sandler is Cliched Drivel

HUSTLE is the latest Adam Sandler movie using the rehashed formula of the likable underdog overcoming the odds.  Sandler and Stallone are not alone in the tried, true and tired "Rocky" storyline.  Sandler stars as Stanley Sugarman, a devout scout for the 76ers but his real dream is to a coach a team.  Stanley's dream to coach finally came true thanks to the team's owner Max Merrick (Robert Duvall).  Unfortunately for Stan and the movie, Duvall dies the day he gives Stan his big chance and a closet size office.  Merrick's son, Vince (Ben Foster) plays Stan's nemesis with Simon Legree smarminess. Stan is sent back out again on as a scout on an endless medley of airports, fast food and sleepless nights.  One of the few winning shots in the movie is Queen Latifah cast as his charming wife, Teresa, and Jordan Hull as his teenage daughter.   Stan stumbles upon a pickup game in Spain where he salivates over the raw talent of Bo Cruz (Juancho Herman Gomez) hustling the hotshot while wearing construction boots.  Stan chases down Bo's bus and follows him to the squalid home Bo shares with his mother and adorable young, daughter.  His mom runs interference and wants to be shown the money.  The starting NBA salary is plenty to convince Bo and his mom to agree to tryout for a spot on the team.  Once in the states, things don't go according to plan.  Vince relishes and humiliating Stan by dismissing Bo on the first go.  Stan finally tells Vince where he can go.  Bo is a fish out of water and Stan a man without a job.  Stan's new plan is to put all his hoops and dreams in Bo's basket.  Stan wakes Bo in the middle of the night to train in the rain with the aid of his bullhorn.  If it all sounds familiar, it should.  Stan's "loves this game, lives and breathes this game."   The film needs new life breathed into this rehashed script.  It's a harmless feel good film with few surprises that delivers the same old drivel. 

Dave Holland Performs with Kevin Eubanks in Healdsburg Jazz Festival

The final evening of jazz for the Healdsburg Jazz Festival ended on a high note.  It was held at the new Jackson Theater last evening.  The first half of the program was a free style performance with legendary jazz bass player and composer Dave Holland and Kevin Eubanks on electric guitar.  Holland said he and Eubanks were "...going to play free style and take us on a journey."  For the next hour the jazz artists riffed on their instruments.  Their technical techniques were on display.  Sadly, the showmanship did not compensate for a cacophonous, atonal and arrhythmic sound.  It wasn't until the last 15 minutes that Holland and Eubanks connected with each other's playing in a way that aesthetically pleasing.  Holland's bass playing didn't entirely mesh with Eubanks playing.  Eubanks' sound was a pastiche of Hendricks and  B.B. King.  Holland's sound varied between classical and jazz.  His fingering were often below the neck on the body of the bass.  The deep tone of his double bass was not a match for Eubanks playing or vice versa.  It's interesting to watch great artists collaborate.  Still, I would have found it more enjoyable had they played a shorter improvisational set and set about sounding like a polished duet.  The parts fell short of a harmonious jazz performance that was bewildering and not bewitching.  After a break, Holland returned to the stage with pianist Kenny Barron and drummer, Obed Calvaire.  The program featured music of the trio's recent album, "Without Deception".  In March of 2020, the trio was in Paris where they had two performances when Covid shut everything down.  They were thrilled to be back together and performing live in Sonoma.  Pianist/composer Barron shared with us that his friend sent him a photo while he touring saying she was without makeup.  This lead him to name the single and album he was working on, "Without Deception."   Holland and Barron both composed on the album.  Calvaire received the lion share of solos to the delight of everyone.  Holland's bass playing underscored the drums and piano.  The relaxed tempo and energetic melodies flowed with a swing jazz sound mixed with Latin fusion.  Intricate keyboard melodies and upbeat tempo on percussion kept the music lively and richly layered.   Listening to the jazz trio allowed the listener to appreciate each of the instruments apart and as an ensemble.  Holland is a multi-Grammy winning bassist whose played and recorded with Miles Davis and Stan Getz.  He's lead his own jazz orchestra and big band.  Now in his mid-70s, Holland's style continues to evolve.  Without a doubt, I'm going to listen to "Without Deception" and attend another Dave Holland live performance.

African Cuban Arenas Dance Co and Jazz Singer Bobi Cespedes

Last nights program for the Healdsburg Jazz Festival featured two African Cuban artists, the Arenas Dance Co. and jazz singer, Bobi Cespedes at the Raven Theater.  The Arenas Dance Co. lead the program with vast styles and influences of Cuban dance.  Artistic Dir. Susana Arenas Pedroso diverse choreography captured the multi-influences of African and Catholic religions as well African spiritual traditions and African, Spanish and Haitian Creole languages.  The glorious, kaleidoscope colored costumes for each of the dances shimmered and flowed.  The outfits were stunning and enhanced dancers' undulating body movements.  The twirling of the layered skirts captured the syncopation of the bata drums.  Rippling of the dancers' shoulders and rolling of heads felt languid and fluid.  Folkloric storytelling and African call and response were ingrained in the choreography.  I loved the women enacting laundering using wicker baskets and colorful silk garments.  The dancers portrayed the joy of daily chores done with humor and camaraderie.  My favorite number was a salsa style dance.  The women's props were neon colored fans that matched their flowing skirts. The twirling, opening and shutting of the fans was hypnotic.  The all female bata drummers were the sturdy backbone to the various styles.  Women were forbidden from touching bata drums until 1988 because of religious taboos.  Onstage female vocalists accompanied the dancers. Their soulful, clarion voices rang clear.  Warrior dancers used a shrill call and response that was piercing.  The program was dedicated to the strength and dignity of women.  The second half of the program brought the energy to a luxurious, jazzy Afro-Cuban style.  Bobi Cespedes' rich contralto voice posted a velvety quality that was mesmerizing.  She brought a feel for both African and Cuban musical heritage.  The Orisha influence blended South American and Caribbean rhythms with a contemporary funk sound.  The folklore heritage made a "Funkloric" soothing sound bringing together the past and present in a relaxing and stirring style.  Bobi improvised several numbers in a call and response style.  The talented quintet consisted of two percussionists on bongos, timbales and congas.  The pianist/arranger, Orientz Lopez playing was phenomenal. The music reverberated viscerally making it impossible to remain inert in one's seat.  The enthralled audience could not be contained in their seats for long.  Soon most got up and   danced in the aisles moving to the front of the stage.  A glorious, spontaneous dance party ensued.   I could have danced all night.  And, I thought to myself, what a wonderful world.

Iron Chef: Quest for an Iron Legend Steals a Award for Best Show Worth Watching

The toughest culinary contest for top chefs is the newest iteration of the Iron Chef airing on Netflix.  Iron Chef Quest for an Iron Legend has the tried and true ingredients to make this challenging caper of culinary skills and creativity an enticing offering.  Returning as host is Alton Brown along with smart side dish, Kristin Kish, former Iron Chef winner,  to add spicy banter to the mix.  Also returning is Mark Dacascos as Chairman for the right amount of kitch to keep things cool.  The secret ingredient makes its revelatory debut on a reprised set that takes you aback with its detailed reality.  Five culinary giants are pitted against rising young chefs.  The timed contest tests chefs and crew for creativity, spontaneity, technical and innovative skills as well as their composure under fire.  As one chef put it, "the hour felt like 10 minutes."  There's a lot to be savored during the fray of preparing four food courses with libation concoctions.  It's a thrilling master class in cooking.  When Alton counts the final seconds and says "don't panic, but panic..." I felt my heart racing.  Hearts, brains, organs are all fair game.   There's repartee battered between dueling chefs basted in camaraderie doused with beer and good cheer.  The presentations to the three judge panel is where the chef's shine describing their creations and displaying their artistry.  The professional panel offer intelligent critiques and marvel over the combustion of flavors bursting their taste buds.  It's enough to make your saliva glands come unglued.  This longtime vegan is willing to throw in the towel given the chance.  There's no chance the Iron Chef reboot doesn't continue to rise above the competition of reality cooking shows.  Iron Chef: Quest for an Iron Legend is perfect mirepoix of fun and intensity, artistry and whimsy combined to make the best series, period.  

Jennifer Lopez Doc-HALFTIME JL's Life/Career Buildup to the 2020 Halftime Show

The HALFTIME doc. on the omnipresent Jennifer Lopez (JL) was entertaining albeit, self-indulgent and self-aggrandizing.  However,  JL is to be admired for her triple threat talents:  singing, dancing and acting.  She's the real deal.  And, if at first she had to do some convincing when auditioning for roles, she's more than proven herself to be a dancer, that can act and sing or a singer, that can act and dance.  You'd be hard pressed to find another talent who has the  same magnitude of talents.  Well, maybe Beyonce, but beyond that...I can't think of anyone.  The two divas are two of the world's sexiest and most beautiful people alive.  Despite HALFTIME feeling a little overly long, it's easy viewing and JL is easily likable.  Without a doubt,  JL is a superstar and she's still "just Jenny from the block."  When JL talks to the cameras it feels as though she's talking just to you.  She comes across as earnest.  I believed her sincerity and tenacity.  Her work ethic and commitment are inspiring.  And, as a mother and mentor, she is loving, generous and tender.  While I didn't doubt JL's drive, I didn't catch the play that JL was making a political statement against the barbarity of Trump's immigration policies that resulted in children being separated from their parents and put in cages.  "There are things you just don't do as a human being," JL told us.  I also didn't realize being the half-time entertainer was the pinnacle for an entertainer.    Nevertheless, its import never fell short.  NFL commissioner, Roger Goodell opposed the cages being part of JL's number and ordered they not be used.  JL was not going to backdown after all the hard work and collaboration that went into whittling six minutes into a power play.  The intent of the choreography was on par with NFL players taking a knee.  There was no suspense as the 2020 Super Bowl is a fait accompli.  JL's halftime show was a homerun and went on without a hitch as planned.  Shakira was the co-star.  There was no doubt who was MVP; not even close.  There was a little solo by Jennifer's daughter Emma (aged 12) singing "Born in the USA."  Trump and Lopez share a penchant for nepotism.  I tend towards cynicism.  Nevertheless, Jennifer Lopez is omnipotent.  Watching her perform is watching a consummate entertainer who continues to dazzle and amaze.  I can only wonder, will she and Ben find happiness this second time around?  

THIS IS GOING to HURT - BBC Medical Series Seriously Worth Watching

Tired of the thousands of shows that suck?  Sure you are.  I have the remedy.  It's a new series on the BBC, THIS IS GOING to HURT.  It's a medical series starring Ben Whishaw as Dr. Adam Kay and British Acting Royalty;  Alex Jennings and Harriet Walter.  This is not a medical soap opera, pshaw!  Rather, a piercing drama that depicts the physically exhaustive and emotionally draining life of a junior doctor in obstetrics. The series is based on the best-selling memoir by Dr. Kay.   The Dr. is in when he  breaks from character to speak to the audience.  In these rare cases, the 4th wall is effectively broken for clarity.  We meet a dazed Dr. Kay as he's being roused in his car.  Apparently, he slept there to save time commuting for his next marathon shift.  Dr. Kay is outside the hospital where he's waylaid by a woman already in labor.  The infant is partially dangling from her body while Dr. Kay tries to steers her to an OR. This requires some skepticism and jumping from a moving lift. Have patience, don't permit this farfetched scenario to deter you from this riveting and realistic examination into the fatigue and frenzy of caring for patients.  The authentic depictions of operations are gruesome.  There's a balance of fast banter and dry humor offsetting heart wrenching outcomes.  Dr. Kay's forever neglected partner seems too good to be true.  And, Alex Jennings's portrayal of an acerbic hospital director is too much of a sitcom, stereotype. Nevertheless, this series handles the responsibilities and frustrations of tending to patient care on a serious and profound level.   THIS IS GOING to HURT does get under one's skin.  It's an eye-opening and sometimes painful show to watch.  It's never routine.  I prescribe this real life doctor's dramatization to be followed regularly.        

TOP GUN MAVERICK - Don't Think Just See It

The long awaited sequel (at least according to Tom Cruise) to TOP GUN released in 1986 tears into theaters, shattering box office records.  TOP GUN was a cultural phenomenon in the 80s alongside shoulder pads for women, shopping malls, cabbage patch dolls and MTV.  Whatever killed off these trends didn't quell the lingering fascination with TOP GUN.  Cruise gives a shout out to those who made the movie possible and credits its fans.  This unctuous tribute did little to ingratiate Cruise with his audience.  But then, he didn't need to. The film soars on its cliched, but winning formula.  This family friendly, guilty pleasure is highly entertaining.  Don't think about it, just go see it.  Known for making movie franchise history, Cruise's films have oft quoted one liners.  Although, not necessarily spoken by Cruise, these quotes will live on in movie infamy.  "Show me the money!"  "You had me at hello."  "You can't handle the truth!" And, "I feel the need for speed."  Buzz kill alert for the take away line from TOP GUN MAVERICK, "You told me not to think!"  Fans of feel good films which defy the odds, build camaraderie from rivalry, loaded with irreverence, and stupefying sky-high chase scenes, the film more than hits its target.  The unabashed nods to the first film adds luster to the screen.  Adding to the winning formula  are an elite cast of actors as wingmen include the timeless beauty, Jennifer Connelly, Val Kilmer reprising his role as Ice and Jon Hamm as the nemesis superior officer won over by Maverick's valor.  The two hour, glossy joyride elevate the film's G force with its younger crew; Glen Powell, Lewis Pullman and Miles Teller, playing Goose's son and is a doppelgänger for a young Robert Mitchum.  Collaborating with composer Hans Zimmer and movie producer Jerry Bruckheimer help ensure a successful blockbuster.   TOP GUN MAVERICK classic old time movie making and 21st C tech that just soothes the soul.