Comments & critiques on cultural events and New York City happenings.
Saturday, January 30, 2016
Julliard Orch Concert Celebrates Milton Babbitt's Centennial
This week the Julliard Orch has been performing varied programs at Alice Tulley honoring the centennial of Amer composer Milton Babbitt (1916-2011.) Tickets were available free of charge through Julliard's box office or online; a millenial bargain. The program on Fri night (Prog VI) was conducted by Jeffrey Milarsky with guest pianist Connor Hanick playing Babbitt's Piano Concerto #2 (1988.) The only composition of Babbitts which was played at the end. Program VI began with a section of Johanne Brahm's (1883-1897) piano pieces from 11 Chorale Preludes which are rarely performed. This was a brief, beautiful & rich overture for the evening. Arnold Schoenberg's (1874-1951) 5 Pieces for Orch Op 16 (1909/1949) followed. Schoenberg's innovative atonal construction was very influential on Babbitt from the time he was a young student. Schoenberg was 28 when he composed this work which marked a turning. Igor Stravinsky's (1882-1971) Variations (Aldous Huxley in Memoriam 1963-64) was performed after and prior to Babbitt's Piano Concerto. Stravinsky was not a proponent of Schoenberg's "12-tone" method initially but in later years, following Stravinsky's death, he appropriated the 12-tone method. Pianist Conor Hanick, an alumn of Julliard & Northwestern has performed with Alan Gilbert & the NYPhilh & with conductor James Levine. The chronologically orchestrated performance provided a noticeable progression & relationships between the compositions spanning over 100 years. The audience at Alice Tulley were treated to a captivating evening of evolving classical music.
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