Iranian Film TAXI Takes on Censorship & Social Commentary

Iranian filmmaker Jafar Panahi benevolent character in this, his 3rd feature, TAXI belies a bonafide bravery & determination to defy the constraints of Iranian mandates.  Despite political pressure & an  order against Panahi in 2010 to make films, Panahi released "This Is Not a Film" in 2011 by a circuitious route into Paris.  Again, in 2014, Panahi conceived "Closed Curtain," a film which bends the rules on filmmaking as though going through the looking glass allowing Panahi to have the last laugh.  TAXI tackles censhorship issues in part, by blurring the lines between doc. film making.  He cunningly utilizes the vehicle of his niece to outline the absurd restrictions she must adhere to in order to make a film for a school project.  Hana, Panahi's niece, prattles away how she must manuever and at the same time bemoans the laws impinging liberties on everyday life in Iran.  Add to the journey a motley mixture of characters who ramble on about arrests, executions, social hierachy, sexism & bootleg music & videos.  Throughout, Mr. Panahi maintains a patience and warmth that transcends all the detirus that filter through his cab.  The jab in riding in Jafur Panahi's cab is - can he possibly be risking serious legal repercussions?  Because, for some reason, someone has their foot off the brakes.  Panahi is making a clean get away with heresy.