Friday evening Dianne Reeves and her jazz quartet brought their soothing contemporary jazz to the Weil Center at
Santa Rosa State University. Reeves (b. 1956, Detroit) is one of our most talented and highly awarded jazz artists.
She's received 5 Grammy Awards spanning from 2001 - 2015; including Best Jazz Vocal and Best Jazz Album. Reeves' rich contralto voice and unique interpretations created an uplifting and soothing experience. Her onomatopoeic, emotive scat vocals have a hypnotic pull making nonsensical
syllables reverberate with vibrancy. The underlying musical accompaniment to Reeves' scat elevated the symbiotic
artistry between instruments and vocals. It's futile comparing Reeves to greats such as Ella Fitzgerald and Sarah
Vaughan, but Reeves and her peers Cecile McLorin Salvant and Esperanza Spalding all deserve to be esteemed on the
highest plateau. Reeves said "I look back at Ella Fitzgerald and Sarah Vaughan ... and I say, okay, they set a standard
of excellence. I listen to them not for what they are doing but to study where they are coming from because for me, jazz
is life experience." In addition to Reeves' scat numbers, I enjoyed her heartfelt rendition of "Smile" and her original
composition "Nine" which captured the exuberance & earning of youth and the mounting wisdom and liberation that
comes with age. In her banter she shared her COVID comatose experiences and the empathy garnered from our
shared isolation. Her admiration and connection for her bandmates was profuse. Peter Martins on piano was sublime
and guitarist Romero Lubambo (b. Brazil) with whom she shares a lifelong collaboration and friendship was astounding
along with the bass player and drummer. Harry Belafonte is among the iconic artists Reeves has performed & recorded
with. "My friend Harry Belafonte is an activist and musician, an extraordinary man who has taught me the power of
words and that music can be used to heal and educate people." The evening of cool jazz was filled with alluring music,
warmth and camaraderie.
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