The GLASS ONION-Peel Away Layers and There's Nothing There

I went into seeing GLASS ONION hoping to enjoy it more than I did KNIVES OUT.  Both films are written and directed by Ryan Johnson and received raves from critics.  Spoiler - I think they both stink; especially GLASS ONION.  At least with KNIVES OUT there was a grizzly death at the start of the film that drew me in as did the cast and the atmosphere.  In GLASS ONION there's no there, except for a terrific cast that's not given any convincing script to glaze over the cracks in the preposterous plot for a movie that's not so hot.  Still, the performances by Kate Hudson, Daniel Craig and Kathryn Hahn were fun to watch.  They brought some zing to the thing but not enough to make this birdie, sing.  Edward Norton, Janelle Monae and Leslie Odom, Jr. all looked out of place.  The bright spots in this dismal lot came from surprise guest cameos.  Angela Lansbury, Steven Sondheim and Yo-Yo Ma lit up the screen.   Sadly, both Stephen Sondheim and Angela Lansbury's appearances turn are their final swan songs on screen.  The layers here are papery thin in a sequel unequal in appeal to KNIVES OUT.  This critic only bestowed a rent at home review to KNIVES OUT. which only got a rent it sentiment. Peel back the layers to GLASS ONION and you'll view a vapid thriller the whole way through.  

Dave Koz 25th Anniversary Christmas Tour-Timeless Jazzy Xmas Tunes

Dave Koz's and Friends 25th Anniversary Christmas Tour came to town at the Luther Burbank Theater in Santa Rosa. There was no pouting, no crying, I'm telling you why - The packed auditorium here was filled with good cheer. The audience came decked out to the hilt, some came bearing ugly Christmas sweaters. Ohers looked finer in glitter and silk.  Dave dressed divinely in jazzy refinery.  And to the show he brought his best his favorite friends; Peter White on acoustic guitar and Rick Braun on horn.  He also gifted us with the divas of jazz.  Rebecca Jade singer and guitar player was amazing.  Jade called out her basketball coach she played for at UC-Berkely and bade her good tidings.  Keiko Matsui, pianist virtuoso, tinkled the ivories with flourish and gusto.  Anyone getting my riff?  The show was holiday gift providing smiles and and spirits a lift.  What could go wrong with your favorite holiday song tied up in a rhythm jazz?  Rien, my friend.  Unless you're a Scrooge or a Grinch or a zombie.  It was you a mremorable evening of music and song.  I'll stop now so this won't get too long.  After 25 years, Koz still puts on the ritz with his sax and his glitz.  The price of the show is not just for the rich.  I could've listened all night.   I want to give a review that's just right....Merry Christmas to all, and to all a good night!   

The BANSHEES of INISHERIN-Colin Farrel and Brendan Gleeson Star

"The Banshees of Inisherin" is being bantered about as one of the year's best films.  To this blarney I say malarkey.  Though exquisitely shot along the cliffs of rural Ireland in the early 20th C, and despite exceptional acting from its cast, this was not enough to redeem the repugnant story of two former friends who go to incredulous ends for revenge.  Padraic (Colin Farrell) and Colm (Brendan Gleeson) are two lifelong friends on a sparsely populated coastal island where everyone knows everyone's business.  It's dumbfounding to Padraic, and everyone else on the island, when Colm unceremoniously terminates their friendships.  Padraic pleads with Colm to explain what he might have done that would cause Colm to spurn him.  Not wanting to hurt Padraic's feelings, although that is what he's doing is causing him immense pain, Colm calls him "dull." Colm, an accomplished fiddler, wants to spend what time he's left doing something meaningful and composing music for his legacy.  Padriac wears his emotions on his sleeve and can't understand why he their friendship would impede anything.  This quiet town offers few diversions for its intertwining eccentric locals.  The town folks include a scary, corn-pipe smoking hag, a shopkeeper who reads everyone's mail, a perverted cop and his simpleton, irrepressible son.  The movie derives its poignancy from the strong performances of its ensemble cast and its outstanding lead characters played by Farrell and Gleeson.  Farrell and Gleeson are reprising their co-starring roles by writer/director, Martin McDonagh who also made "In Bruges".   Both "In Bruges" and "Inisherin" are dark films dealing with themes of loneliness and despair.  The pangs of rejection and yearning reverberate in Padraic's eyes and echo in longing for companionship in Padraic's sister, played by Kerry Condon and Barry Keoghan as the dimwitted, abused son of the constable.   Emotions run high laden with lager and longing but prior to the combustible climax, self-mutilation destroy what was a haunting tale of friendship.  To what extent will people go when pushed to their limits?  As Padraic says, "There are some things there's no moving on from." My tolerance was drenched under torrents of revulsion.  This banshee offers her wail of warning not to get swept up in the lore heralding "Inisherin."  It may prove to be your down falling.  

Jazz Pianist Marc Cary at 222

Marc Cary donned the ivories at 222 for an evening of dazzling jazz piano that called to mind Thelonious Monk's innovative spontaneity and command of the keyboard.  For pianists, myself included, who ponder the need for 88 keys, it's astonishing and humbling to note what can be achieved when an artist utilizes the full range of bass and treble keys.  Cary, nominated for Grammys for his recordings with Stefan Harris and Abbey Lincoln, whom he pays homage, filled the space of The 222 in Healdsburg on solo piano on Saturday night.  The evening began with Cary jaunting on stage donning an engineer's cap, plaid pants and turtle-neck and a long necklace that resembled a dream-catcher.  Personifying an aura of coolness and ease, Mr. Cary commenced saying,  "I'll let my playing do the talking for me. We'll talk later."  His first piece transitioned smoothly into four different compositions including Ellington's, his own composition and arrangement of a Pascual Church hymnal.  The evening had an overall imperial, innovative aesthetic played with with forte piano front and center.   Observing  Cary's hand fly over the keyboards was exciting to behold.  The intimate setting offered close viewing to key in on Cary's elegant fingers; each hand working their magic independently.  His wrists appeared staid in a horizontal position and it was surprising to see the agility and power stemming from the fingers.  Clay made use of his forearm coming down on the keyboards for a syncopated, pleasing vibrato.  In a later piece, Cary held the strings while playing only with his right hand.  The piano emitted a deep percussive, hollow tone.  With what little talking he did, Cary shared how he derived the title for my favorite performance of the evening, "Dreamlike." He said he heard the music and played it just like he dreamt when he awoke.  "Dreamlike" had a rippling of layered chords played at a churning tempo.   Perhaps, that's why Cary wears a "dream catcher" around his neck.  Perhaps, that's not a bad idea.  

Alan Cumming Stars in Doc. My Old School-No Fool Like an Old Fool for Real

In the doc. film "My Old School" (2022) Alan Cumming lip synchs interviews granted by Brandon Lee who was not willing to be filmed for his bizarre biopic pick. Ambiguous questions are posed in befuddlement and with humor as to what exactly occurred in a secondary school, 1993, by former classmates and reporters?  Unbeknownst to most,  Brandon Lee pulled off Scotland's most shocking high school hoax.  When the enigma is finally revealed, it will have some reviled or reeling in disbelief.  Perhaps, others may find themselves laughing along with former friends and classmates at the absurdity of what ensued.  The film has a languid approach to presenting the perplexing paradox at its apex.  Needless,  by then you'll be won over by the interviews from Lee's contemporaries and innocent cohorts in his colossal charade.  Delightful animation reminiscent of the the '90's series, "Daria" depict Lee more cartoonish than sinister.   The outlandish fraud takes a backseat to the comical response it evokes from those who knew him back in the day.  Those finding Lee far less than admirable were mostly the adults at the time; teachers, staff and his co-star in the school's musical.  Some of the now, 30+ something, speak of his kind ministrations to the misfits; paving a path to acceptance in the schools' social hierarchy.  Lee also demonstrated a gift for mimicry and an academia intellect way beyond his chronological years.  The enigma emerges after getting to know those who knew him then, without knowing they were being taken in by Lee.  Lee,  32 at the time,  returned to relive his senior year at the scene of his former school.  What fools these mortals be.  Maybe, but the movie has a warm class reunion feel of former students.  They all  share their glory days with Lee whose antics, regardless of his questionable motives, gave them all bogus bragging rights.  The doc. crumbles when it gets into the bleaker contemplations of Lee's motives.  The inimitable Cumming is winning and whimsical portraying Lee, portraying a man feigning being a teen amongst teens despite being twice as old as his peers.  I rate the oddball "My Old School" watchable without words that adequately describe my reaction.   Lee's so-star with whom he shares an on-stage kiss in South Pacific, called it.  "Ick!"

Sacred Profane Chamber Chorus Performs New Work by Michael Bussewit-Quarm

The Sacred and Profane Chamber Chorus performs a cappella chorus music that performs classic secular and sacred works dating back to the Middle Ages as well as contemporary music by emerging composers.  Sunday afternoon at the 222 in Healdsburg, the Sacred and Profane sang works by Sibelius and Ralph Vaughan Williams along with 21st C works from six composers all born in the later half of the 20th C.  The world premier performance of "Now is the Time" by Michael Bussewitz-Quarm was the final and most compelling work on the program.  It wove complex harmonies into a bravado of confluent voices. Artistic Director Rebecca Seeman outlined a defining theme for the program all enbracing dreams to "...realizing a better life."  Seeman directs a repertoire of music that speaks to social justice and socially relevant issues.  Bussewit-Quarm's (BQ) piece "Now is the Time" was commissioned by the Sacred and Profane.  It was being performed for only the third time on our stage.  The piece acknowledges a hope and healing for the world around us.  "Now is the Time" featured four soloists, including a standout performance by tenor Michael Villarreal with his clear and vibrant singing voice.  The hope in "Now is the Time" is for acceptance and finding love.  BQ is transgender and a staunch advocate for the LGBTQ community.   The absence of musical accompaniment was remarkably not needed for the full stentorian sounds with only vocals.  "Visions of Glory" by Trevor Weston (b. 1967) felt incongruent with clapping, snapping and stomping added to the singing.   My second favorite work, "Dreams" was by Scandinavian composer Jacob Muhlrad (b. 1991).  The piece utilized the soprano and alto section to provide a hypnotic humming which elevated the tenors and baritones and created a somnambulant impression.  Muhlrad referenced Langston Hughes text: "Hold fast to dreams For when dreams go Life is a barren field Frozen with snow."   The concert was a powerful blend of old and new with voices rising to embrace the beauty of music expressing our shared humanity,  

EMILY the CRIMINAL- Aubrey Plaza Steals the Film

Aubrey Plaza is unforgettable in this season of WHITE LOTUS as the wife in a waning marriage.  Plaza is also starring in the thriller EMILY the CRIMINAL as a debt riddled art grad.  Emily works delivering catering while searching for more lucrative employment.  First seen on a job interview, Emily admits a search of her record would reveal a DUI as a student and running a red light where no one was hurt. Her interviewer lied about not having read her report.  He questions her about an assault conviction her record.  Caught in her deception, Emily goes on the offensive calling him out for his duplicity.  She snatches her file and storms out.  In addition to a combustible temper, Emily shows a tender side.  She agrees to help a co-worker with his  nightshift so he can attend his son's game.  The co-worker thanks her by giving her a contact to make a quick $200 on a job.  Emily's prospects appear dismal.  She lives in a squalid, shared walk-up, burdened by her student loan and its compounding interest.  After her hectic workday, she meets her girlfriend for drink.  As she listen to her friend's flourishing career and lifestyle, Emily's stilted path garners our sympathy.  The two spend the night snorting coke in the bathroom and sprawling across the sidewalks.  In the morning, Emily texts the number given to make some easy money.  Before entering the circumspect location, Emily removes a mace spray from her purse.   It's clear Emily will not allow herself to be a victim.  The room of people are told they are going to make dummy purchases with fraudulent cards.  On the verge of leaving, Emily is drawn in and becomes swept up into riskier scams for bigger payoffs.  The cons and crooks in this heist thriller are convincing but the movie scores because of the stunning performance by Plaza.  Her bulbous eyes convey a scan of emotions from viciousness to vulnerability and envy to loathing in a flash.  The film is a prescient and convincing portrayal of what person is capable of when pushed to the precipice.  Plaza's commanding performance gives the film an intensity that makes this worth watching.   It would be a crime not to see Aubrey Plaza land more leading roles.   

Play Reading of HOME-Homeless Enclave Unites by Nathaniel Roberts

An open reading of the new play HOME by Nathaniel Roberts was performed for the public, free of charge at the Raven Theater Monday evening.  The artistic director, Steven David Martin, welcomed the audience of several dozen thespians for coming despite a Warrior and football game.  "What's a Warrior game?" called out a young woman with purple and magenta hair which was met with chuckles from an enthused audience.  Martin went on to introduce the playwright seated at the back of the theater and invited everyone to stay after the reading to offer feedback or ask questions of the playwright or actors.  The eight cast members are part of the Raven Players affiliated with the Healdsburg Center for the Arts.  Six of the cast portrayed homeless individuals living under an overpass around the Bay Area.  An Asian father who owned a small convenience store and his college age daughter are forced to navigate past the homeless encampment to reach the father's business.  Hostilities arise between the shop owner and those living in the make shift shelters.  The father vehemently forbids his daughter from conversing with these people and belligerent to those addressing him.  Meanwhile, his daughter strikes up a conversation and concern with the young homeless woman, Monica.  We learn Monica has a four year old daughter living in foster care and that Monica prostitutes herself to support her meth addiction.  We also learn the histories of the other homeless which include a former attorney, nurse and minor league baseball player.  Francisco is young homeless man who befriends Monica.  He's a new outsider to the group and his role muddles the plot. (He also needs correction on his pronunciation of kibbutz.)  It seems incredulous this forged family of homeless all had impressive careers and would show solicitous concerns for each another.  The former attorney plans to appeal to the courts to claim these grounds rightfully theirs.  Nicholas James Augusta as Bluejay, an alcoholic and former ballplayer, is particularly sympathetic and credible.  Mina Lim as the college co-ed is also winning as the earnest daughter who quarrels with her dad and takes an interest in Monica's welfare.  The consensus for the actors was positive who brought their characters to life.  My feedback for the playwright is to limit the homeless to one or two individuals to cement an understanding which may develop between a nearby business owner and homeless individuals when strewn together.   A live script reading is performed monthly.   One new play will be selected from the readings for a full staging at the end of the season.  

PEPSI WHERE'S MY JET? Advertisers be Ware but Grows Weary

The true David v. Goliath story of a teen taking on the powers and deep pockets of a major corporation,  tends to win fans rooting for the underdog.  In the 1990s, Pepsi was gearing up its battle with Coke to win the cola wars.  Pepsi's plan was to gain more market shares with a campaign using swag, sex and a major gag.  Swag in exchange for redeemable Pepsi points, sex with just one look at Cindy Crawford cooling her thirst while adolescent boys watched drooling and a bad ass ad that commandeered a Harrier Jet.  The Harrier lands outside a school classroom causing havoc with a caption "7,000,000 Pepsi points" redeemable for the jet.  Those with nostalgia for this ad will be reminded of how it swept consumer interest with its wink at humor and youth associating Pepsi as your preferred drink.  Those seeing the ad (ad nauseam) in this four part (two part) too long Netflix series, will find it bemusing, at least at first.  How likely is it for someone to take the ad literally and take the challenge?  John Leonard was a college student in 1996 living at home, doing odd jobs.  One of his jobs was as a climbing guide where he crossed paths with Todd Hoffman.  The older, financially set Hoffman and amenable Leonard formed a friendship as they bonded over weeks on various climbing ventures.  Hoffman became Leonard's mentor and benefactor.  Leonard became obsessed with obtaining the jet and enlisted Hoffman's support with his ad hoc business plan to coerce Pepsi to make good on their promo.  An appealing friendship and underdog story unfolds but soon grows old. With Hoffman's tutelage and backing taking on the task to hold Pepsi with their deeper pockets and limitless lawyers, to keep their promise we sign on for their journey.  The initial media frenzy with fresh faced Leonard as a college kid calling Pepsi for pay up is fun and entertaining.  The problem is maintaining a compelling story that drags over a generation through mounting litigation.  Gnawing interviews with people at Pepsi, its ad agency, legal adversaries and Leonard and Hoffman grow wearisome.  Sympathy garnered for the young, assimilated actors portraying Hoffman and Leonard goes cold as the players grow old and become annoying.  Sizzle is added by the chance enlisting of the not yet certified attorney, Michael Avenatti.  Avenatti's corrupt advise for Leonard portends his own legal problems as a lawyer.  Avenatti's animated interviews are taped while under house arrest for his extortion and fraud convictions.  There is plenty of gusto spurting intermittently but it tastes flat.  The ongoing blind taste tests were clever; Coke won,  Take my advice with a spoiler alert:  Don't bother to take a look.  Take the money and run.  

Jessie Montgomery's "Soul Force" Performed by Santa Rosa Orchestra

It's always exciting to hear a new composition by a contemporary composer.  Last evening, the Santa Rosa Orchestra performed Jessie Montgomery's "Soul Force" at the Weil Center at Sonoma State.  Montgomery (b.  US 1981) is a renowned violinist and composer.  She's been honored with the Leonard Bernstein Award and The Sphinx Medal of Excellence.  The New York Philharmonic has been chosen as one of the composers for "Project 19" marking the 100th anniversary of the ratification of the 19th Amendment granting the right to vote for women.  "Soul Force" was commissioned by the Dream Unfinished, a benefit for civil rights and premiered in New York City 2015.   It's an innovative, one-movement symphonic work that is a coalescence of classical structure and contemporary styles such as jazz and R+B.  The surprising piece begins with percussive staccato bursts followed by moments of complete silences leading into a beckoning clarinet solo syncopated by sharp popping sounds that intimate gunshots.  A mounting horn section beckons a timpani of percussive snapping sounds, ringing off cymbals, rolling  snare drums, and clopping of the glockenspiel.  There's a notion of continuous interruptions.  These percussive bursts fail to dismantle the orchestration as it puts forth a steadfast, marching sensibility which speaks to an indomitable attitude.  Montgomery stated, "The music takes on a form of a march which begins with a single voice and gains as it rises to a triumphant goal."  There is an overall feeling of positivity and strength despite persisting confrontations.  And, a sense of resiliency comes through harmoniously with its  mounting wind section.  The bravado blend of rich sounds emit from tubas, bassinets, horns, flute and oboes rise into a clarion sounding cry.   Montgomery explains having named her preeminent "Soul Force" composition, "I have drawn the work's title from Dr. Martin Luther King's 'I Have a Dream' speech in which he states: 'We must not allow our creative protest to degenerate into physical violence.  Again and again, we must rise to the majestic heights of meeting physical force with soul force."  

Roberts Clooney Ticket to Paradise-Phooey Don't Go There

The rom/com film "Ticket to Paradise" which stars the superstars Julia Roberts and George Clooney is unwatchable and unworthy of its cast.  It goes to show,  even bankable, A list movie stars can't save a supercilious script from being a total disaster.  Roberts and Clooney play a bitterly divorced couple, Georgie and David Colton.  The two agree to set aside their acrimony to abort their beloved daughter's plans for matrimony,  Kaitlyn Dever plays their beloved daughter Lily.  Lily just graduated from law school.   Lily and her college roommate, are off to Bali for a much needed vacation after graduation.  On their island vacation in paradise, Lily meets the man of her dreams and the two plan to wed.  Georgie and David agree this disastrous decision will destroy their daughter's future career and happiness.   Their schemes to disavow any wedding vows are what nightmares are made of.   Plots where parents know what's best for their child has been done before as in the iconic film, "Guess Who's Coming to Dinner" (1967) starring Hepburn, Tracy and Sidney Poitier.  This was a groundbreaking film depicting an interracial couple planning to marry.  In 2017, the Library of Congress selected "Guess Who's Coming to Dinner" as "culturally, historically or aesthetically significant."  I'm guessing Roberts and Clooney want to be considered the Hepburn/Tracy duo of the 21st C.   In "Ticket to Paradise"  Roberts and Clooney look foolish.  The plot is lame.  I'm not to blame if you're tempted.  You've been warned.  Don't bite!

Richard Branson Doc. is Full of Hot Air

The HBO Doc. BRANSON aired its first of four episode last night but failed to ignite sparks of awe for the adventurer, entrepreneur and founder of the Virgin group of companies.  The interviews that Richard Branson and his sister gave are so laid back as to be laughable.  Lindy Branson, gave a very relaxed interview while lying with her legs aloft a chaise.  Richard is filmed in casual attire, if not shirtless, with his trademark flowing locks and gleaming smile.  Of course, there's plenty for Richard to smile about, although a foreboding tape of Richard predicting "the only reason for seeing this tape is in the event of my death."  This clip was filmed days prior to his blast off into outer space in his Virgin Galactic rocket ship.  Spoiler alert, the launch was successful but it follows other major mogul rocket ship launches with passengers.  While Branson's successes have stemmed from risks, the doc. failed to take many.  It felt as though Branson was in control of releasing and editing to permit only flattering footage and commentary.  It's fair to say Branson is not intimidated taking financial risks.  His mantra being "You can't run a business without taking risks.  The brave may not live forever - but the cautious do not live at all."   We see his charmed lifestyle on his own idyllic island with the exotic animals he's brought there to live. A lightning bolt caused the destruction of one of the large properties where his mother and Kate Winslet were staying.  Everyone escaped without injury and there is a photo of Winslet carrying Richard's mother away from the burning building, both with large smiles.  Branson has hosted many famous people on his island including Princess Diana.  It's enjoyable seeing the rich lifestyle afforded Branson and his family.  Branson boasts joyfully of the seven years the family lived together on a small house boat while managing his many businesses.  Branson maintains he relies on instinct and giving people a lot of rope to do their jobs.  This seemed to give Branson a lot of freedom to enjoy the fruits of his others' labors.   Branson dropped out of college to get on with the life he knew he wanted realizing schooling wasn't going to help achieve.  Ironically, despite having dyslexia his first business was a start-up magazine STUDENT.  Perhaps lightning only strikes once because there were no major thunderbolts or revelations in this pleasant but tepid coverage of such a dynamic figure.  The next episodes will cover some of his daring, or even reckless risks taken with his own life.  This episode had me wondering what was hiding behind the curtain that made Branson so certain in his quests.

GOOD NIGHT OPPY-Doc. of NASA Exploration Rover to Mars

GOOD NIGHT OPPY charts the 15 year mission of the NASA exploration rover sent to MARS.  It's a miracle that the rover survived 15 years, well past the expect 90 day mission.  There's a lot of groundbreaking material and a lot of never before seen ground uncovered on MARS in this two hour plus documentary.  The first mission to Mars was a complete bust and the butt of late night comics' jokes.  NASA engineers knew the pressures they were under to succeed this time.  GOOD NIGHT OPPY doesn't launch outside the orbit of feeling like a public relations video to promote NASA and enlist future engineers.  I applaud these efforts but feel slighted that the footage is mainly re-creations rather than actual depictions of MARS' terrain.  Several scientists and engineers narrate over the years sharing their insights and excitements for the project.  It was exciting to learn Mars at one time had water on the planet.  Understanding what caused Mars' water to disintegrate would bear major significance.  I liked seeing how problem solving was achieved by building a model and recreating the troublesome terrain the robots were experiencing.  There's a lot of shared celebratory fellowship and concern.  Perhaps, so much so that it feels forced causing one to feel cynical for what the jingoism is masking as in the exorbitant budget allocated by the government,  OPPY is the nickname for the Rover originally named Opportunity.  The crew bestows human traits to OPPY and their attachment feels too sentimental.  Of course, they have spent 15 years of their lives working on the project which is also their livelihood.  The film project feels like a massive missed opportunity to share actual imaging and information learned from this mission.  Alas, why were there no conjectures as to why OPPY greatly surpassed her expected expiration?       

RANKED A Musical-High School Pressures Combust amid COVID Memorialized

The pressures placed upon high school students for getting good grades to get into good colleges, these are the times that try teens' souls.  Hey, let's put on a show of our trials and tribulations.  David Gomes, composer, and Kyle Holmes, (G&H) theater director at Granite Bay High School in CA, decided to turn  student's concerns into a concert shedding light on the insurmountable pressures felt by teens to achieve academic success.  Students were interviewed by G&H and much of the dialogue was lifted directly from their conversations and writings.  RANKED is a doc. of the making of the musical at Granite Bay H.S. but it achieves much more.  The camera follows students through their junior/senior years to graduation and several months post-graduation.  Several students are featured not only from Granite Bay but other schools throughout the country that optioned the rights to perform RANKED.  The camera closes in on faculty and close family members.  What's captured is a refreshing angle on young people who care not only about their futures but each also other and the supportive adults committed to obtaining the best opportunities for them.   While feeling the burdens of grades and schoolwork, the overriding sense of camaraderie and youthful exuberance is prevalent and up-lifting.  And, just when the students thought it safe to go back on stage, COVID caused a national lockdown marking 2020, one for the record books.   Ingenuity, humor and artistic fervor surmount obstacles caused by forced separation and isolation.  Videos of the students sharing their feelings during lockdowns should be treasured in time capsules for posterity.  Their struggles with boredom and navigating online learning are candidly charming.  These students worked hard to graduate but were robbed of the rights of passage that come with senior years in high schools.  Fordham School principal was teary eyed when acknowledging the class did not receive year they deserved.  The students irrepressible attitudes prevailed.  They reveled in their accomplishments with pragmatism, good cheer and gratitude.  They were sad they were unable to thank their teachers in person.  The doc. filmed the derailment of RANKED being staged for Broadway due to COVID.  The Broadway auditions were fun to watch but not nearly as poignant or rewarding as watching students auditioning for the show and colleges online.   RANKED soars when the camera captures the students performing and really hits its stride when sharing the student's unabashed moments of pride. 

Fleishman Is in Trouble-Is White Rich People Whining

The TV miniseries "Fleishman is In Trouble" is migraine inducing white, wealthy, Jewish people living in New York City whining about their lives.  Starring Jesse Eisenberg as Dr. Toby Fleishman and Claire Danes as his theatrical agent wife.  The series is based on the novel of the same name by Taffy Brodesser-Akner.  This 8 episode series follows neurotic, New Yorker Toby, navigate from college through marriage, family, divorce and back to the online dating scene in his early 40s.  Both the book and series pictures its two central characters as self-indulgent, anxiety riddled and coddled with taken for granted privileges.  Unlikeable characters whom we scorn and relish for mocking their self-made problems and snobbish behaviors.  We meet Toby as a pre-med student with his close college chums, Lizzy (Libby Epstein) and Seth (Adam Brody).  Lizzy acts as a somewhat wiser, sympathetic narrator.  Toby believes his aspirations for becoming a physician are of noble calling.  Toby meets Rachel as a dazzling co-ed  The two have a whirlwind courtship with New York City for a romantic back-drop.  It's not long into marriage before the ball drops.  As Rachel focuses on building her business and Toby maneuvers his way in the medical profession, a fissure arises in their marriage.  Eisenberg is cast as the whiney, incessant talker and Danes as the emotionally wrought woman on the verge of tears.  Not to say this satirical, voyeuristic look into what's troubling the advantageous isn't without entertainment  value.  The cast is outrageously fun to cringe at in their rage, frustration and naivety.  If these pampered people can't be happy they deserve to be miserable.  Lizzy and Seth don't fare much better at becoming happily adjusted adults.   Toby contends with an angry, adolescent daughter and confused son while reckoning with his newfound sexual prowess on the dating scene.   This is a smorgasbord of social parodies of disgruntled, status conscience, wealthy whites which is best be enjoyed with a snide smirk and a side of irritation.      

Ain't Too Proud-Temptations Musicial Biopic is Irresistible Pick

 "Ain't Too Proud" is the juke0box musical that strings together the numerous Temptations hit songs among the storytelling of the original five group members. Now running at the Golden Gate Theater, the timeless Temptation many top hits make great show-stoppers along with exceptional choreography.  What helps make "Ain't Too Proud" so supreme is the script adapted by award winning playwright, Dominique Morrisseau ("Skeleton Crew" and "Pipeline') based on Otis Williams' autobiographical book "The Temptations." Morriseau shares her Detroit background with the Temptations and helps lift the genre high enough to appeal to those beyond the baby-boomer generation.  Williams is the sole survivor of the original five members whose genesis began in Detroit amongst local friends under the tutelage of Barry Gordy and Smokey Robinson.  Otis Williams (Marcus Paul James) is the narrator at the heart of the play.   Williams speaks directly to the audience as he takes us from his early yeas as a troubled youth to forming the group while finding their sound and name through the what becomes of those of fame and the brokenhearted. The artistic direction which favors a mainly black/white aesthetic serves a somber script told in retrospect by Williams who mourns his brothers and soulmates.  It also emphasizes the racial divide our nation went through during segregation, the strive for "crossover" popularity and irresolute prejudice that persists.  The musical masterfully delivers potent historic and relationship struggles.   Joy and sorrow are meted in measure.  Still, "Ain't Too Proud" is allowed to rest on its many great song and dance numbers that are too hard to resist.  Get ready to come see this super performance with its many talented stars who put on a memorable show.  You don't need to wait. The cast of "Ain't too Proud" does all the things needed to do to make you love them, yes they will, oh yes they will!  

Satirist David Sedaris Calls It as He Sees It

David Sedaris is a best selling author, playwright, essayist and humorist whose numerous memoirs and short stories are told with a dry wit and discerning eye that have endeared him to millions world-wide.  His humor is self-deprecating focusing oftentimes on his family, heritage and homosexuality, all with a conspiratorial wink.  Sedaris is a prolific writing.  Among his works are  "Me Talk Pretty One Day," "Calypso" and his most recent essay collection "Happy-Go-Lucky."   Last evening at the Luther Burbank Theater in Santa Rosa, Sedaris was in the lobby signing books prior to his show while engaging in friendly banter.  Sedaris came on stage without introduction calling attention to his ad-hoc attire; a long nightshirt over billowy pants and Dutch clogs wrapped in what looked like "paper mache." His first quips were about Christmas which he plans to review on Yelp.  The holiday have gone south since his childhood. His longtime partner, Hugh, whom he mentions often and fondly, takes charge for the holidays.  His reading began with essays from "Happy-Go-Lucky"on traveling and his "beefs" with fellow travelers and his newly claimed countrymen in England.  The British have warranted better marks for having few guns, no Fox News or national disasters but the adolescent youth there are "horrible."  As he read in his animated, high pitched voice, the terrors of British tots garnered laughs.  His tales of woe being mugged living in New York were amusing while noting white privilege.  Sedaris readings delightfully meandered from dissociated subjects and seamlessly circling back to his original whims.  There was an intimate connection with his audience.  A sly, salaciousness emerged in off-color jokes about a huge dildo and foul-mouthed toddler.  Aside from reading, Sedaris offered free copies of his books published in foreign languages to audience members but he wasn't falling for simple salutations for being fluent.  He also pedaled the graphic novel "Penny Cat," because he found its artwork and insights into the psyches of cats ingenious.  While at a book signing in Ireland, he met Rob.  Rob presented him with a book of his poems.  Sedaris was so taken he invited him to open a reading with his poetry.  The remaining Q&A elicited clever comments.  "I know from doing this not to ask the people waving their arms." The best advice he received came from an early writing professor.  "Do the work and be ready for somebody to pull you up which is what happened with Rob." As for rating Christmas, "First, I want to eliminate all the shitty Christmas music piped in.  Red, green and gold never make a good fashion statement.  And, on the 26th I want all the Christmas decorations gone."  I give Sedaris 5 stars along with the rousing standing he received.   

STUTZ-Jonah Hill's Doc. How His Shrink Thinks

Most people wonder what goes on behind closed doors between a psychiatrist and his patient.  Acad. Award nominated actor Jonah Hill ('Moneybag' and 'The Wolf of Wall Street') tries his hand at documenting the machinations of psychiatry with an in depth biopic of his therapist, Dr. Phil Stutz.   Hill proffers the tools he learned for assuaging his anguish.  Hill's motivation is to share these self-empowering methods gleaned from his doctor and mentor, Dr. Stutz, one of the world's leading psychiatrists.  The mostly black/white doc. is filmed to feel as though it were shot in one marathon session in the Dr.'s book  laden office.  The candid and likable film portrays a mutual friendship and respect between the actor and his physiatrist.  Any preconceived notion on the nuts and bolts working of psychiatry as painful and grueling would seem debunked.  Rather, Dr. Stutz presents a safe haven from which he is committed to listening and offering immediate, pragmatic steps to easing one's despondency.  Perhaps, the film oversimplifies the process of psychiatry but it may serve to empower viewers how to focus their minds and bodies to access a sense of well-being.  The simple animation of diagrams and step takings demystifies a convoluted, ongoing dependency on guidance outside one's self.  However, the dynamic of a typical Dr./patient relationship is debunked by their comfort and fondness with each other.  Hill sought help for his low self-esteem being overweight despite having achieved success in his career.  He brings in a blown-up cut-out of himself to illustrate.  Hill's attractive onscreen appearance contrasts sharply with his cardboard replica. Reasons to seek psychiatry feel flimsy and a perk for the rich and famous whose egos require constant certification.  An ironic comment on therapy is made by Hill, "My friends offer me ridiculous advice when I just want them to listen and my psychiatrist just listens when I want him to tell me what to do."  The power of Hill's doc. come from his subject, Dr. Stutz, whose intellect, insights and life story are compelling.  Dr. Stutz is reminded by Hill to take his medication for his Parkinson's disease noticeable in his hand tremors.  Nonetheless, Dr. Stutz is a formidable and humorous human being whose compassion and strength are forthright.  Hill may have achieved his mission for sharing self-help steps for improving mental health for the masses.  Where he succeeds as a filmmaker comes from the biopic portion of his engaging pick.   

Oakland Interfaith Gospel Choir-Something to Crow about at 222

Founded in 1986, the Oakland Interfaith Gospel Choir (OIGC) is a nonprofit arts organization comprised of multiracial, generational and religious backgrounds.  Their mission, under the guidance of its high-spirited Director, Terence Kelly, is to unify people through the sharing of Negro spiritual, black gospel music and hymns.   Kelly, an operatic bass singer, performs with the San Francisco Opera Chorus.  In addition to having received Gospel Music Awards, he is an Emmy Award winner for choral arranging.  Kelly's arrangements have been recorded by popular artists Linda Ronstadt and the classical strings Quartet Kronos.  The program from last night's sold-out performance at 222, was an evening filled with spirituals, R&B music, gospel music and unmitigated joy.  Kelly led the 16 members representing the choir while encouraging the audience to become active participants by clapping, singing and dancing along with the music.  The reluctance first shown by a mostly staid audience gave way to a more adventurous and uproarious celebration.   The ebullience onstage was infectious and uplifting.  Clad in matching robes of black with green and gold trim, the choir's singing and swaying billowed onstage and reverberated throughout.  The choir was accompanied by Tina Bryant on piano and Miles Lathan on drums.  With winning good humor, Kelly enlightened us as to the distinguishing trademarks of traditional gospel for the African Methodist Church, Baptist Church and the Church of the Agnostic; the timing of hymns increasing in their musical interpretations.  The arousing gospel songs performed early in the program with their exquisite harmonics and haunting solos ('Oh Lord, Please My Prayer', 'Down by the Riverside') gave way to slower ballads ('Amazing') sounding somewhat similar to  R&B arrangements as song by Marvin Gaye or Teddy Pendergast.  Dir. Kelly brought everyone around for the finale in a rousing 'Everybody Dancin' which did exactly that.  Communal mission accomplished! 

Mission accomplished

Doc. "Our American Family" Addiction Afflictions on Families

The searingly candid and painful documentary, 'Our American Family', follows 29-year-old Nicole and her immediate family in the weeks surrounding her most recent, near-fatal overdose.  The family unit includes Nicole's unremitting mother, Linda, her two squabbling 20-something brothers, Nicole's darling, two-year old daughter and Linda's husband, Bryan.  The family lives altogether under one roof in a Philadelphia suburb.  The family shares the responsibilities for raising Nicole's toddler, and providing her support for staying sober and drug free.  Directors Sean O'Grady and Hall Adelman wisely stay invisible and keep the focus mainly inside the family home.   This is an intimate, behind the doors look at the reverberating strains Nicole's addiction imparts on her and relationships within the family.  It's wrenching to watch.  Nicole's latest overdose brings her to a residential rehab clinic for help.  Here she takes us on a holiday decorated home tour with a jovial attitude and introduces us to other female residents.  The women's bonding feels more like a kumbaya  moment, masking the journey that led them here.  The reasons for their odyssey or what recovery entails is not made clear.   Linda, a yoga guru, admits having dealt with her own addiction and blames herself in part for her daughter following in her troubled footsteps.  Familial ties appear steadfast although not without bitter squabbles and recriminations.  Are Nicole's brothers living at home to help their sister or as a safety net for their own failings?  It's easy to understand why Nicole's step-dad is fed-up with her never-ending destructive behaviors.  Bryan's love for his wife may reach its breaking point.  Signing on for living with Linda's adult children, a step-grandchild and all their toxic demands is something most marriages wouldn't survive.  There's no preaching or declaring what steps are needed to combat addiction.  Nor are few reasons offered for Nicole's drug use aside from low self-esteem and her mom's history.  The film does provide a candid look at how families member's lives are impacted by their loved ones battling the disease of addiction.  For families or individuals burdened with drug maladies, this documentary will feel relatable.  Those expecting a deeper empathy for drug addicts, the stigma attached may only be re-enforced.  Bryan contends drug addiction is not analogous to terminal diseases.  Those with cancer, "don't go through your wallet while you're sleeping.  They don't get arrested because they're trying to get chemo."  

White Lotus Two-Yahoo! with Aubrey Plaza, F. Murray Abraham and Jennifer Coolidge

The White Lotus written and directed by Mike White is back for another season and there are many reasons to get on board.  First, it's highly entertaining albeit, cringe worthy,  Second, this season has elevated its overall star roster with F Murray Abraham, Michael Imperalio (Sopranos), Aubrey Plaza (always illuminating) and Theo James (Sanditon).  Thirdly, the show wisely brought back the breakout performance of the indomitable, Jennifer Coolidge. And, it's a clever social parody that highlights the hypocrisy of privilege and prejudices with humor in a contemporary forum.  A parody of society's flaws in White Lotus hasn't been this groundbreaking since "All in the Family."  This season begins similarly to last.  There's an obsequious entourage of employees waving to greet the incoming guests under the auspices of an overbearing, unctuous manager.  The location has shifted from a Hawaiian to the Sicilian coast in an exclusive, seaside resort.  One of the outgoing guests bemoans her vacation ending to new arrivals.  She goes for her final dip until she starts screaming upon bumping up against a floating corpse.  Therein lies a mystery underlying the welcomed new season.  Who in the featured cast has come to past.  It's revealed in this episode there have been more skeletons uncovered in the chateau we don't know about.  Who died and who did it will all be revealed while having an uproarious time watching multiple storylines, snide glances and sexual dalliances.  Watch for Plaza's leers for her husband's handsome college roommate and his beautiful, insipid wife.  Plaza has the look of hate we love.   There's the voyeuristic view of waning affections in her marriage.  The manager (Sabrina Impacciatore) contrasts to last year's whose mantra to remain calm dealing with the demands of spoiled guests as the hotel is beset with hookers.   Abraham plays an octogenarian lech.  He simultaneously manages to be charming and pathetic vacationing with his son played by Imperioli and grandson.  The threesomes' cross generational dinner conversation is hilarious.  Last year's Emmy winner, Coolidge, is back with her scene stealing performances.  She invokes her zaniness, vulnerability and cunning ability to disregard those deemed subservient without remorse.  The only other reprise is Jon Gries as Coolidge's love interest thought to have met his demise.  Reviving his role to tango with Coolidge offers plenty of reason to watch this season on HBO.  In its first season the show scooped up five Prime-time Emmys including best TV movie and acting award for Coolidge amid 20 nominations.   My only complaint is I have to wait a week between episodes.  

The Murmuring Episode in Guillermo de Toro's Cabinet of Curiosities-Beat Still My Heart

Guillermo de Toro eight episode series "Cabinet of Curiosities" airing on Netflix, is in simpatico with Rod Serling's series, "Twilight Zone" (1959-64)  and Alfred Hitchcock Hour series (1955-65).  These episodic programs share a sense of the paranormal, sci-fi and high drama.  Guillermo introduces each episode as did his predecessors.  The final episode, "The Murmuring" is the only one written by Guillermo.  It is directed by Jennifer Kent ("The Babadook").   The mainstay of this "haunted house" story is a rundown, but inviting mansion.  The story is set in Oct,'1951, on a sylvan, secluded island.  A married couple played convincingly by Essie Davis (Nancy) and Andrew Lincoln (Edgar).  They're both ornithologists studying the sounds and patterns of dunlins in hopes of understanding the murmuration formations that are so beguiling and bewildering.  The goal as scientific researchers is to continually ask why and how.  The stunning cinematography captures mesmerizing dunlins' murmurations.  The color palette scans a broad spectrum of pale, cool blues outdoors to deeper tones indoors venturing toward midnight blues.  The antiquated charm of the large home becomes more foreboding as Nancy is awoken by slamming doors, slithering shadows and unintelligible voices.  The mainstays for constructing a haunted house are built in the film's structure.  There are arresting, family photos lining the walls of the winding stairs.  Suspense mounts steadily as apparitions manifest themselves to Nancy as they mirror a growing strain in the marriage.  It's no mystery the couple has endured a parents' worst nightmare.  Guillermo has captured a hauntingly, beautiful film of grief which weighs the toll grief extracts for its irreplaceable loss, and portends why this phenomenon is on individual path.   And, how the repression of sorrow festers while its release has the miraculous power to heal.  Still, grief must be processed, "all in good time, my little pretty, all in good time."  

RAYMAND and RAY-McGregor and Hawke Bereaved Brothers or Not, Not Worth the Bother

Ewan McGregor and Ethan Hawke are hapless, half-brothers drawn together by the death of their estranged father. The duo dig up differing views from the bad dad they knew growing up.  Raymond (McGregor) and (Ray) Hawke surprisingly resemble brothers but this overly long movie offers nothing new or compelling.  Seven years sober but without a steady job or love interest, Ray has no interest in paying any last respects to a father he resents.  Raymond mostly agrees with his brother's assessment but calls in a brotherly favor to accompany him to pay their final respects.  Who knew their dad became a converted Jew? Their father's attorney bequeath's his minimal estate and informs them of his last wishes which are to be buried nude in a grave to be dug solely by his sons using only shovels for implements.  The film despite the charms of its two stars stinks to high heaven.  A younger half-brother they didn't know about is introduced at graveside.  Female characters are brought in to soften the brother's rough edges.  Cliched melodrama keeps being piled on which does nothing to elevate the material.  This redemption story is a sorry misuse of its two leads and Maribel Verdu who plays their father's former lover.  The brother's can't keep their jaws from dropping at this and other revelations.  RAYMOND and RAY is not worth the bother of a viewing.    

She-Hulk Attorney at Law-Marvel at the Morphing Super Hero Genre

Most could agree the Hulk has come to be the most likely Marvel hunk and most likely spin-off of its own.  The formidable actor, Mark Ruffalo, has become synonymous with his alter-ego superhero, Hulk.  Ruffalo imbues Hulk's character with gravitas and sensitivity, providing depth to a tantrum temper superpower possessed by many a toddler.  Regardless, the latest Marvel spin-off series, She-Hulk gives little girls a relatable superhero who has a day-job as a female attorney to aspire to.  No longer the only mean, green, omnipotent enforcer, the Hulk has a cousin who can pick up the slack when it comes to fighting off various villainous avengers.  The pilot episode brings Brian Banner together in jocular banter with his cousin, Jennifer Walters (Tatiana Mislay).   Banner and Walters are out for a joyride when they are knocked down a cliff by an interloping alien aircraft.   Banner warns his cousin to stay back as she clamors to his side after the tumultuous crash but not before his blood becomes intermingled with Walters.  This explains the mood altering mutation which transforms Walters into She-Hulk.  Has the Hulk ever bled before?  Not critical for the time being, just know that Walters is a begrudging superhero who only wants to do battle as an attorney in the courtroom.  Nonetheless, Banner takes her through the ropes of channeling her strength and her animosity for the greater good of humanity.  A montage of tossing boulders and each other into crumpling abodes brings the cousins closer and opens a new chapter of Hulk mania.  She-Hulk embarks into a new frontier of TV viewing meshing the mortal sitcom format of a legal comedy/drama with commonplace interruptions of flying, super-strength criminals.  The power of gab versus the powerful jab take on each other in front of a unfazed forum with a broken fourth-wall decorum.  She-Hulk doubles up on genres to generate extra zeal.  There's fun packed into a female Hulk figure who combines sex, brains and braun with combustible, superhero fantasy.  The cast of supporting characters are appealing and there are surprising, guest stars in the mix.   Was the flying saucer merely a flash in the pan?  Do you think you're likely to become a fan?  I think I can. 

Try Trivia Nite You Mite Like It-I Did

You might be surprised to know there's a trivia night taking place in your local town.  I was.  I was also thinking it might be fun to try it with a few friends.  (Pssst..."Friends" is a good guess in Trivia if your theme is the 90s).   I asked a couple friends if they were interested in checking it out with me.  Trivia night in our Sonoma town was at one of the tasting rooms.  There were plenty of wine to get those brain cells flowing.  I was the driver.  Next time, I'll leave the driving to someone else.  Perhaps, a glass of wine might've sparked the brain to gain more answers.  It couldn't of hurt. Our team name is MindFull.  Clever, yes?  Too bad points aren't awarded for best team name.  We went back in time for the evening to the 90s.  There were 4 rounds of 10 questions.  Each team turns in their written answers.  No shouting out answers or multiple choices.  The first round was a potpourri of pop culture and historic figures.  Do you remember the group who gave us the Macarena or who the first female Sec. of  State was.  The second round were photos of 10 movie posters from the 90s.  You needed to name the film.  Not easy.  Our MindFul trio had fun trying to solve the titles from the pictures.  The third round were specific questions about celebrity movie stars, sports figures and icons of the 90s.  The fourth and final round was an audio round which proved the most intriguing and perplexing.  Name the TV sitcom from the theme song played.  Could you identify "The Full House" or "Twin Peaks" themes.  We got one of the two, (yay).  We were successful in guessing at least 3/10 for each round.  Guessing is what we mostly did and mostly got wrong.  But, it was entertaining putting our heads together trying to come up with the correct answer.  We often settled for a humorous guess we hoped might pan out.  Our charming host for the evening, James, laughed reading out some of the incorrect but interesting answers.  If there were points awarded for the ones James thought were funniest, our team would've been deemed more mindful than senseless.  Nonetheless, it was a high spirited event mixed with good spirits and friends.  "That'sSoRaven" team was the 1st place winner and the team with adults and pre-teens.  "Whats4Dinner" came in 2nd.  Both were awarded prizes.  Don't take yourself too seriously and you're guaranteed a winning night.  By the way, do you recall what the biggest box office film of the 90s or what was the 1st reality TV show?  Well, you may just need to know.

Tribute to Bob Saget Benefiting Scleroderma Research Sept. 21, 2022

Bob Saget's passing in January of this year has left a huge chasm in the world.  He also left a lasting legacy with his beloved family, friends and his active commitment to raising awareness and funding for Scleroderma research.  Bob spearheaded the Cool Comedy Hot Cuisine event for 30 years.  He served on the Board of Dir. for Scleroderma and co-chaired every annual Cool comedy- Hot Cuisine.  Bob called upon his friends and fellow actors, comedians and musicians to perform. Laughter draws people together.  Bob brought people together with his humor.  On his podcast Bob SAGET's HERE FOR YOU," Bob called his fans to listen in on their lives.  He also did interviews with scores of friends in entertainment.  Tragically, Bob's sister Gay, died from complications of Scleroderma. He become a staunch champion for this painful and often fatal disease.  "I will spend my life dedicated to helping our amazing Board of Dir. at the incredible Scleroderma Research Fdtn. to work with the best medical minds in science as we raise the funds for research to one day find a cure."  The comics and artists who came to pay tribute to Bob were all close friends.  Jeff Ross, John Mayer and Jimmy Kimmel hosted.  Kimmel took the stage as guests meandered into the Beverly Wilshire Gala Hall.  The guests were not ready to settle down. Kimmel implored, "People, maybe some of you know I'm considered famous."  The self-deprecation and hilarity was full tilt.  Howie Mandel was riotously funny as he shared his Covid traumas.  He asked a question of a Dr. in the front who continued to interject until Howie asked him, "Do you think I might be a little busy right now."  Handsome and debonair, John Stamos paid tribute to his brother.  Joel McHale and Kevin Nealon provided levity and barbs with other comics.  Surprise (or maybe not) guest was Dave Chappell who brought Bill Burr onstage. The two ribbed one another relentlessly.  John Mayer sent everyone off with his guitar playing.  (He also auctioned off two of his personal guitars). John played "Free Fallin" which he said he played at Bob and Kelly's wedding.  Kelly, Bob's beautiful, loving and talented wife was there with her mother, sister and Bob's impressive daughters Aubrey and Lara.   Norman Lear, a close friend was there to honor Bob along with his FULL HOUSE family.  The event though bitter sweet, was a celebration of Bob's gift of gab, comedy, kindness and commitment to finding a cure.  The evening raised $1.5 million dollars and elevated the spirits of all who were fortunate to know Bob personally or know him through his many years in show business.   Bob you will be forever in our hearts for all you've doneS to make our world better. 

The Outfit (2022 film) Stars Mark Rylance and Zoey Dutch

 "The Outfit" is a psychological crime thriller set in gangster riddled Chicago, 1956.   Mark Rylance stars as Leonard Burling, a mild mannered, meticulous "cutter" of men's hand made suits.  The Tony, Oscar and BAFTA winning actor, Rylance makes this well acted and shrewdly written film worth watching.   It's written for the screen by Graham Moore (Imitation Game) in his directorial debut and Johnathan McClain.  The film has the feel of a stage production.  The tightly filmed story unfolds unhurried within Leonard's shop.  British native Leonard is irreverantly dubbed "English" by the flashy, fast talking young thugs who use Leonard's innocuous shop to run their nefarious dealings.  Leonard focuses myopically on the very detailed oriented steps required to comprise a perfectly fitted suit.  The laborious process of measuring, cutting and stitching are elaborated and demonstrated by Leonard instilling a calming, reassuring affect.  Leonard is perceived as methodical and forlorn. He and his secretary, Mable (Zoey Deutch) work companionably together.  Mable is envious of Leonard's life abroad. She's determined to travel far from Chicago's frozen tundra.  The first two thirds of the movie moves ploddingly.   Francis (Johnny Flynn) and Richie (Dylan O'Brien) are tough guys with more brash than brains.  Both relish their roles as heir apparent to the head honcho.  Richie is son to the head of the Irish mob.  Francis is obsessed with being Roy's lackey.  Having taken "6 marbles for Roy" Francis feels he's earned the top spot.  Richie makes it clear that isn't how it works.  What's puzzling is whose leaking information on the mob's activities.   Things take a dastardly turn when Francis and Richie show up late at night.  Richie is (bleeding from the abdomen from a gunshot. (It's enigmatic how blood never stains Richie's trousers). Francis holds a gun at Leonard coercing him to sew up the wounds.  Leonard is also ordered to protect the contents of an attache with a tape which should point the finger at the snitch.   Tempers flare.  Francis and Richie pull guns on one other while accusations fly.   A Hitchcock twist folds over this volatile, outdated tale that never quite goes out of style.  Rylance is impeccable in his role.  Deutch is perfect as the 50's self-reliant, ingenue.  Both Flynn and O'Brien look and act the parts of dapper delinquents.  And, Simon Beale as mob daddy, Roy, and his not too bright, gun totting enforcer add luster to the look and feel of the production.  The  costume design and cinematography along with a first rate ensemble bring a compelling fit to make this well-worn genre feel updated and spiffy.  I recommend viewing this superbly crafted crime drama that wears like cashmere on a chilly night.  

Mesa-Yakushev Cello Piano Duo at 222

Thomas Mesa, Cuban-American cellist and Russian born pianist, Ilya Yakushev, performed for a delighted audience at THE 222 Gallery in Sonoma.  Both distinguished int'l artists are highly awarded performers.  Mesa won the Sphinx Medal of Excellence (2022).  He's performed with the SF Symphony under MTT and toured with Itzhak Perlman.  Ilya Yakushev has won the World Piano Competition (2005) in the US and the Gawon Int'l Music Society Award in South Korea.  Performing in THE 222's intimate setting, the two musicians were relaxed, engaging and bantered humorously with the audience and each other.  The program was bookended by Beethoven's Sonata No. 3 and Rachmaninoff's Sonata in G Minor for cello and piano.  In between were contemporary classical compositions,  SILBO (2021) by Andrea Casarrubios (b. 1988) and OBLIVION by Astor Piazza (1921-1992).   Also on the program was Claude Bolling's (1930-2020) GALOP for jazz trio.  To comprise a trio, recorded snare drum music for the score was added. Yakushev noted performing jazz was not something they did often.  The piece lacked a jazz aesthetic except for one interesting phrase that clashed within the composition.  My favorite piece was the newest work, SILBO (2021).  Mesa spoke of his friendship and admiration for cellist/composer, Casarrubios.  Mesa commissioned her earlier work, SEVEN (2020) a tribute to essential workers during the pandemic.  SILBO was a very haunting and elegiac piece.  The evening was very special thanks to the close proximity between performers and audience providing an immediate connection with the mechanics and techniques of the artists.  In SILBO, Mesa's fingering was low on the neck of his cello, moving along the strings above the body of the instrument emitting a pleasing, hollow screech. Mesa's exquisite instrument is a Nibble Gagliano cello, c. 1750.  Rare Violins of New York City is generously loaning this rare cello.  Flailing stray bow hairs could be observed.  Mesa deftly detached these gossamer hairs.  The piano's repetitive stanzas underscored the wavering complex melodies of the cello.  SILBO's alluring intensity was hypnotic.  The compactness within the gallery made the the vibrations on the bow discernible, the hum of piano keys visceral and the impact of the demanding multi-operational components of playing, profound.   Mesa happily shared facts on Rachmaninoff's life. His hands were extremely large  which he used to shield himself from paparazzi.  His early works were not met with critical success leading him to a depression treated in part with hypnotism.  Yakushev wanted to close and join everyone in a glass of wine.  He motioned with one hand tipping a glass to his mouth and the other to wrap things up.  The two shared a warm laugh and embrace after their encore and rousing ovation.  

San Francisco Comedy Competition Semi-Finals

The 46th annual San Francisco semi-finals competition was held at the Luther Burbank Theater in Santa Rosa last evening.  The competition has heralded in top comics in the past such as Ellen DeGeneres, Kevin Pollack, Dana Carvey, Dane Cook and of course, Robin Williams.  Last night crop of top comics have been whittled down from hundreds to the top ten standing.  There were several promising prospects in the group and thankfully, everyone garnered their share of laughter.   The host for the event was Tim Rose.  The bloom was off this Rose.  His jokes were lame and his intros all the same.   Last year's emcee  was the funniest part of the show.  Better this year, however, was the talent for all those who chose to pursue a fiscally unsound career being funny and making others laugh.  There could be no complaints for lack of diversity last night.  Three contestants were female comics, six black comedians and one self-proclaimed Arab, Joe Abousaka.  Santa Rose is known for having a homogenous, white demographic as apparent in the audience.  There was also an older, "adult" group present.  Being black in a mostly white area was fodder for the black comics.  These deliveries were quick with an ironic twist you didn't see coming.  White comics bemoaned white privilege problems; amusing at best.  And, Abousakher, the "Arab" comic, quipped about Palestinian persecution, Pfizer vaccines leading to sterility and raising a step-daughter from an early age.  His plaintive patter resonated with humility.  As for the women comics, I wish I had more to champion.  While all were likable, they were also forgettable.  The comics who came to the forefront were Mario Hodge, Rob Edwards and Chris Riggins.  Hodge was the elder statesman on the sets.  His enactment of being mugged by a deaf assailant was hilarious.  He also did physical humor falling down and a vocal rendition of today's rap v. 70s soul.  His routine was unique and he was having the most fun onstage.  I found his zaniness infectious.  The majority of comics had an angrier vibe that worked with their material.  Edwards routine using slurs was clever and biting.  Chris Riggins did a lot of sex and dick jokes,"You know what I'm saying."  Edwards possessed a polished persona.  His comfort in front of an audience bespoke a veteran.   Covid jokes ran rampant.  It felt great to be in an audience, laughing and celebrating without masks running interference.  The panel of judges made their top five picks; two of which were chicks.  My guy, Mario Hodge missed the cut.  The finalist which included Joe, Rob and Chris all showed comedic chops.  My pick for the winner to be named later this month from the final five would be Rob Edwards whose future in comedy shines a beacon ahead.  

ELVIS Movie is Massive Missed Opportunities

ELVIS (2022) the biopic picture was massively disappointing for many reasons.  Directed by Baz Luhrmann, known for sumptuous classics such as "Gatsby" and "Romeo and Juliet" succeeded in creating another cinematographic marvel.  Perhaps Luhrmann lacked a literary classic to fall back-on to bring luster to Elvis' life story. The film failed to generate any emotional authenticity or heat for the larger than life rock legend whose talents transcends generations.  The film follows Elvis from a child literally moved by Gospel music to his days as a young performer drawn to the blues and black artists.  Much of Elvis' radical style and sound appear appropriated from black artists, particularly during the Jim Crow era. Raised in the south, Elvis never seemed to question segregated venues or crowds at his performances, but any constraint to his physicality on stage was sacrasanct.  His friendships with black artists in the 50s felt forgettable and the failure to explore this was regrettable.  The admiration of black musicians never led to  infiltrating his band or inner circle.  Elvis' limited inner circle focused far too much on Colonel Tom Parker (a repugnant looking and sounding Tom Hanks). The Colonel's Svengali influence over Elvis for so long was never flushed out.  Hank's role as Elvis' unctous manager was a major distraction.  The Colonel's sleazy, self-serving business dealings, motivations and narration made Elvis into a sniveling, secondary character.  Nothing revelatory was learned about his relationship with Priscilla (Olivia De Jong) or Elvis' dependence on pills and booze other than Priscilla was more phased by his drug induced fog at home than his infidelities on the road.  Luhrmann's ambitious, 3 1/2 hour film, was a montage of the many musical incarnations of Elvis over the years.   Austin Butler stars as Elvis and did an admirable job portraying Elvis' performances.   However, the movie only gyrated any intensity during the musical numbers; particularly during his Vegas reign.  The rest of the film felt either numb or dumb.  The Colonel helps a naive young Elvis exit the hall of mirror through a side door and onto the ferris wheel.  The two remain adrift until Elvis falls prey to the Colonel's plan punctuated with fireworks.  Elvis mother's battle with booze lands her crashing on the stairs and Elvis slobbering in her closet.  The final, mournful farewell, "I will always love you" mouthed to Priscilla was blasé.  I left the building feeling the movie on the King could be forgotten.        

Gerald Clayton, Jazz Pianist at THE 222

Last night, jazz pianist/composer Gerald Clayton, entertained us with his virtuoso command of the keyboard at THE 222.  Six time Grammy nominee for jazz, Clayton's style is a synergy of both classical and classical jazz forms that are woven together to form an intricate and stimulating narrative.  He guides you along skillfully, veering trajectories, pulsing with energy or winding down into contemplative melodies.  A man of few words, Clayton let his elegant fingers do his talking for him.  Donned in billowing black shirt and pants, red socks and sandals, crown rows gathered in a loose bun, he oozed coolness.  "Surfing is my other great passion," he intoned, "I'm going to paddle around here and hopefully we can find some waves to ride together."  These were the only words spoken until he finished his much too short of a set which was met with a rousing ovation.  He gifted the audience a much appreciated encore.  The first piece mirrored the sounds of rushing waterfalls.  An underlying melody held up a sluicing syncopation that sounded like Debussy's water music on steroids.  You're lured out and reeled back in with the tides.  Clayton's playing is fluid and spontaneous.  I felt an invigorating visceral response to his music. Much like Monk, Clayton masters an unconstrained style that is uninhibited, organic, and at the same time, deliberate.  The second composition transported me to an after-hours night club near closing time. The mood was melancholy and bluesy.  Clayton played as if for himself and perhaps Bogart and Bacall.  The only ballad for the night was my favorite composition from this amazing evening.  It held a deconstructed riff from "You are so Beautiful".  One was hard pressed not to think the piece was lovingly dedicated to someone special.  Throughout, Clayton performed with a playful seriousness.  The encore was exuberant and felt much like a joyous homecoming.  Overall, there was an intimate, relaxed atmosphere for the evening.  Before leaving, Clayton thanked us for hanging out with him while he practiced.  I'll thank him to let me hang out in a corner when he practices, anytime.   

Pete Holme's CRASHING Cringeworthy Comedy-Drama Worth Checking Out

Pete Holmes comedy-drama series on Netflix (2017-19) is a semi-autobiographical look into the world of stand-up comedy which has more cringe worthy situations that a barrel of monkeys but it does provide an inside look into crazy lives of comics.  Seen through the eyes of Holmes whose who pursued becoming a pastor but discovered his growing penchant for comedy outweighed his waning faith in God.  Getting a laugh out weighs all else despite his lingering doubts as to divine intervention.  Getting up in front of a crowd to make people laugh assumes a supreme driving force for the elite group who thrive on the adrenaline this type of high provides.  The darker side of dealing with addiction is tackled in a storyline that mirrors Artie Lange's own life that is sobering.  Holmes bring his somewhat holier than thou good guy persona into this competitive group of cohorts who form an extended family that thrives despite sustaining dysfunction and self-destruction.  Holmes is the new kid on the New York comedy scene and he brings his naivety and irrepressibility into the mix of comics which is out-of-place often making him the butt of most jokes.  Special shout out to Jamie Lee who plays a standup and Pete's love interest.   Lee is a great comic with strong acting chops. The series is packed with real life comics and actors which adds authenticity and star power.   Judd Apatow is  one of the co-executive producers, writer and director on the series.  CRASHING is an oddball mix of characters and storylines revolving around Holmes in a Ted Lasso cheerleading role while on a speeding roller coaster ride of after-hour parties and dingy nightclubs that is a train wreck about to crash.  I recommend this off-beat blend of embarrassing moments, comedy routines and the pan quotidian of a comic's life with a warning:  This show is not intended for a discerning audience.  It's for an audience that can appreciate the aspects of what goes into making the sausage to make us laugh.

CYRANO, No Lie, I Cried Starring Peter Dinklage

The film adaptation CYRANO (2021) is the best rendition of French poet/playwright Edmond Rostand's (b. France 1890) classic play "Cyrano de Bergerec (1897); a tale of love is blind and the blinding power of love.  The story is about the longtime relationship between Cyrano, a brilliant poet and orator serving as a nobleman in the French army, and the exquisite maiden, Roxane (Haley Bennet).  Roxane and Cyrano have been friends for a longtime having known each other since they were little.  The fair Roxane has many prominent suitors.  Unbeknownst to Roxane, Cyrano has been in love with her and he is about to reveal his undying love for her in a letter he's written.  Cyrano has been hesitant to profess his love because of his diminished stature.  In the play, Cyrano has a grotesquely large nose.  In the film Cyrano is portrayed by the incomparable Peter Dinklage.  The movie is set in France in the late 19th C when many viewed Dinklage's dwarfism as a freakish aberration.  Cyrano questions whether he is worthy of Roxane's love due to his physical appearance in comparison to her great beauty.  Nonetheless, Cyrano, writes his profound love for her with prose that would have Roxane swooning for him.  Roxane has noticed the handsome cavalryman, Christian (Kevin Harrison, Jr.) and he has vied her.  The handsome pair are both smitten with each other.  On the verge of being sent into battle, Cyrano intends to inform Roxane of his affections but the two become star crossed lovers.  Roxane first confides her longing for the yet unknown soldier whom she's attracted.  Crushed, Cyrano promises his beloved Roxane that he will bring the two together to meet and look out for him in battle.  Christian is overjoyed for he has fallen in love at first sight and joins Cyrano to meet Roxane.  Out of sight from Roxane, Cyrano feeds Christian poetic words of love to make Roxane swoon.  This version is an adapted musical.  Although, the singing and dancing start as a distraction the film coalesces around Cyrano's selfless love and kindness.  All three actors are superb but it is Dinklage's interpretation that connects straight with the heart.  The love and pain he emotes simultaneously make this love triangle story into an omnipotent isoscles unequaled in its artistry and ability to compel the audience to feel the anguish and injustice in love gone awry.  Try this film that received several nominations from the Academy of Motion Pictures, Golden Globes and the British Academy of Film.  That Peter Dinklage didn't receive the best actor award makes me think the voters didn't see his performance.  

Romero Lubambo and Chico Pinheiro Two Brazilian Jazz Guitarists

Two of the today's leading Brazilian jazz guitarists, Romero Lubambo on acoustic guitar and Chico Pinheiro on electric guitar performed together to the delight of a sold-out performance at 222.  Lubambo and Pinheiro are prolific recording artists and composers of contemporary Brazilian jazz.  The program consisted of recent compositions by each.  Lubambo and Pinheiro chided each other while introducing their own compositions which they both claimed to have written within the past two weeks, or as Lubambo said, "I just composed this two hours, ago."  Many a true thing is said in jest, and I believed him.  I also believed the warm rapport between the seventy-something and thirty-something artists whose mutual admiration was apparent.  The opening number was "April Love" and the evening was a love fest of vivacious strumming that was mesmerizing to watch and hypnotic to listen to.  Pinheiro, a twice Grammy nominated artist, is a highly acclaimed guitarist haling from São Paulo.  He's collaborated with Pacido Domingo, Herbie Hancock Dianne Reeves and Esperanza Spalding.  Lubambo's playing blends the styles of his native Brazil with American jazz creating a distinctive, new sound that is warm and energetic.  Ernest Barteldes of "All About Jazz" called him "One of the best acoustic jazz guitarists alive today."  Lubambo has performed along with Billie Eilish, Yo-Yo Ma, Diana Reeves, Harry Belafonte and Wynton Masalis.  The club-like atmosphere of 222, an art gallery by day and  live performing venue in the evening, is a large open gallery-space with club tables with settings of 4 replete with down turned lights and a bowl of Godiva chocolates.  Life is a box of chocolates.  The potpourri of performers lined up for the year include jazz, classical and contemporary musicians, films, authors and poets.  You're sure to get something to your liking.  

To See It or Not to See It Melinda's Picks for What You May Have Missed

 Looking for something to watch and not finding anything amongst the zillions of choices, watch these:

1.  Heavy Water Wars - WWII series back on true people and facts (watch with your computer and verify) these heroic soldiers make for an intense and inspiring true story.  The race for atomic power and world dominance came very close to being won by Germany.  

2.   Reservoir Dogs - Four indigenous teens get the feel and issues real.

3.  Don't Make Me Go - Y/A movie with John Cho - Touching father/daughter bond.

4.  Best Sellers with Michael Caine and Aubrey Plaza.  Need I say more?

     Michael Caine movies to watch:  The Cider House Rules, Going in Style

     Aubrey Plaza movies to watch:  Safety Not Guaranteed, Black Bear

5.   Old Men - Series with Jeff Bridges and Amy Brenneman - A mystery/action thriller that thrills.

6.   Evil - a chilling crime/psychological series that will have you up at night.

7.   The Last Movie Stars - A Doc. of Paul Newman and Joanne Woodward derived from transcripts of Newman's audio -taped interviews.  Directed by Ethan Hawke, roles read by actor friends.

8.  The Rehearsal  Reality series where real life situations are enacted to help prepare; unusual, quirky fun   

9.   The Driver - Japanese film nominated for Best Foreign Film (English subtitles)

    

Murders Only in the Building-Show that Slays with Mystery and Humor

"Murders Only in the Building" is the best comedy/thriller series on TV.  You can find it on Hulu in its 2nd season.  It's expected to be renewed for a third season.  Three complete strangers living in an UWS landmark building, share a penchant for murder podcasts.  They're strewn together by mysterious happenings in their building, including a murder.  Longtime friends in real life, Steve Martin and Martin Short, play Charles and Oliver, two has been actors and thespians.  The chemistry between the them is no surprise, but what's surprisingly pleasing is Selena Gomez in the mix.  Gomez plays Mabel, a young artist who inhabits a large but worn down unit in the building.  Their begrudgingly, irritable relationships are humorous and ingratiating.  The generational disparity jokes are LOL.  Seizing on each other's obsessions with solving murders they collaborate to produce a podcast of the murder that just occurred very close to home; right in their pre-war building.  To their delight, they garner a small but devoted fan base.  The show's writing is ingenious and continuously mystifying.  The layers of intrigue and suspense are blended with comedy and poignancy to make this a truly unique and entertaining show.  It keeps you guessing and clamoring more.  The entire ensemble of actors are exceptional albeit the role played by model/actress Cara Delevigne.  Delvigne plays an art gallerist and a love interest to Mabel in season two.  Other tenants in the building are played by top echelon actors include Jane Hoffman, Michael Creighton, Amy Ryan and Jayne Houdyshell.  They're all outstanding and manifest native, New Yorker lunacy.  Other cast members include Nathan Lane as Teddy, a successful Broadway producer and his son Theo,  played by James Caverly.  Ryan Broussard plays Martin Short's son.  Both Caverly and Broussard add powerful acting and storylines to an already complex plot.  Da'Vine Randolph plays the lead detective who is both frustrated and impressed with the blundering attempts at solving the murders by Charles, Oliver and Mable.  "Murders" pays homage to Broadway in various, clever ways.  It's also a loving tribute to the greatest city on earth.  Look for guest starring spots as this is hot, must see TV.  Each week brings more twists and turns and humor.  I'm frustrated having to wait for following episodes. "Murders Only in the Building" is the only true cliff-hanger that builds this much tension.   You may to want kill someone for making you wait for next week's episode.  Please don't leave me hanging?  Will it be renewed for a third season?  Yes, please!

Dave Chappelle El Capitan of Comedy

Thursday night Dave Chappelle played in Santa Rosa to a packed house.  Chappelle, loved by millions of fans for his brilliant, irreverent and uproarious comedy.  Chappelle had walked away from his highly successfully and lucrative sketch show "Chappelle's Show (2003-06) midseason.  His career has been steered by his genius.  It's been skyrocketing ever since.  His numerous accolades include 3 Grammy Awards and 5 Emmy Awards.  In 2019, Dave was honored with the Mark Twain Comedy Award at the Kennedy Center.  I bestow the title, greatest working comic today and arguably greatest of all-time.  He has the gift for making people laugh, think and feel great while doing both.  Making people laugh together and feel good is a great gift to have and bestow.  The evening started rather slow.  The doors were to open at 7PM.  The lines wrapped around the parking lot.  We were held while phones were locked down despite being forewarned not to bring them.  Chappelle didn't appear on stage until 8:30PM.  Was it worth the wait?  Hell, yes!  The first warm-up comedian, Marshall Wiggins, a name I hadn't heard but a name to remember, was disarmingly funny.  He opened by telling the audience, "My 24 year old daughter just pierced her nipples.  I don't have a joke for that, I just needed to share."  He tied this quip into his hilarious short set with a routine involving aliens and an acceptable usage of the word, nigger.  Chappelle got onstage, with his signature cigarette and tequila drink in hand.  (He lit up and was not ejected.  Two people near me were escorted out for using their phones). Chappelle began saying, "This is one nigger free city.  I haven't seen a nigger in 3 days."  Chappelle's arms were ripped under his white T-shirt.  It looked as if he was sporting a bullet-proof vest.  Chappelle was recently attacked while on stage at the Hollywood Bowl this summer.  He worked this incident into his routine complaining Chris Rock stole the spotlight by asking the Bowl audience, if it was Will Smith.  "Man, I was pissed, after 2 months of silence, now he has something to say. The mother-fucker stole my limelight."  Dave also said his attacker is now suing him for being roughed up by his security people.  Chappelle's been married for 20+ years and admitted he's cheated.  "Whoops!  My wife wasn't all that upset, after all, she's not out on the road making the money."  Dave shared a glass of tequila with a man in the front row.  He as a pro handling boisterous hecklers.  "Man, I gotta raise my ticket prices."  I would go again, at double the going price.  The evening was priceless; one for the memory books.  "Thanks for the memory, Awfully glad I met you. Thank you." (Bob Hope)  

Top Ten Movie Picks for Top Half of 2022

The following films are my top picks so far this year:

1.   Doc. Fire of Love - French film with footage of Volcanoes "chaser" couple's life work (and death)

2.   Norwegian film "The Worst Person Ever" - Only wants what she can't have

3.   After Yang - Futuristic look at memory, life and what matters starring Collin Farrell 

4.   Oscar Nominated Short Films - My favorite was from Poland

5.   Top Gun Maverick - Top Gun Two with too little of Val Kilmer and too much Tom Cruise

6.   Pixar's animated Seeing Red - Tweens talk emotion and menstration 

7.   The Lost Daughter - Starring Olivia Coleman and Dakota Johnson

8.   The Duke - True geriatric British caper starring Dame Helen Mirren and Jim Broadbent

9.   The Book Publisher - Starring the under appreciated Amanda Platz and Sir Michael Cain

10.  S. Korean film House of Hummingbird 

   

Melinda's Top Ten Picks for the Top Half of 2022

 The following top ten picks put my favorite events from Around the Grapevine in Sonoma County:

1.   Dave Chappelle at Luther Burbank Center - A surprise engagement that was an unforgettable                                     evening of laughs and social commentary.

2.  Alvin Ailey American Dance Theater Company at Luther Burbank Center

3.   Future Farmers of America and 4H groups brought their prized, reared "pets" to the auctioning block     to the butcher block.  These young people are incredibly impressive.

4.   Fran Lebowitz in conversation at Luther Burbank Culture Center.

5.   Alonzo King Line Ballet Company at Luther Burbank Center.

6.   Jazz singer Bobe Cespedes at Raven Performing Arts Theater

7.   Jazz musicians Dave Holland and Kevin Eubanks perform at Jackson Theater

8.   Classical Pianoforte Adam Maltz at Raven Performing Arts Theater

9.   Jazz singer Dianna Reeves at Sonoma State University     

10. Maria Schneider Jazz Orchestra Orchestra performs her latest compositions at Sonoma State Univ

Smooth Jazz with Bobby Watson and His Quartet

Bobby Watson and his jazz quartet performed at 222 on Sunday night in Healdsburg.  Art gallery by day, improvised night club by nightfall, 222, located at 222 Healdsburg Avenue is about to embark on its first full year as a multi-cultural venue for live arts performances in the evening.  The season opened on a high note with the grammy winning jazz composer and sax player extraordinaire, Bobby Watson and his quartet.  Classical music as well as jazz will be featured for the 2022-23 season.  Authors and poets will be spotlighted as well as Indie movies.  A silent film night will be shown with live piano accompaniment.  The art gallery represents 50+ artists showcasing oil paintings, collages and sculptures. The cabaret tables set for four were low lit. The ambiance was intimate and relaxing.  Every table had a bowl filled with individually wrapped Godiva chocolate hearts.  The 100 guests were comprised of mainly local residents who welcomed one another.  The artworks are priced from $500-40,000 and are purchased by Sonoma soused tourists searching for souvenirs aside from spirits.  Bien sur, beer, wine and spirits were available for purchase.  Watson took to the improvised 3' high stage, an arm's length from the front tables.  Behind the quartet hung a massive oil painting of kaleidoscope, colors.  The painting was the perfect backdrop for the lively performance.  (It is the priciest piece in the gallery.)  The first bright, upbeat number featured solos from drummer, Akira Tana and bassist, Essiet Essier.  Veteran dummer, Tana has recorded with legendary artists; Sonny Rollins, Stan Getz and Zoot Sims.  Essier's solo featured him plucking the neck strings while simultaneously strumming the bass.  This achieved a hollowed, percussive sound.  It wasn't until after their second number that Bobby Watson addressed the audience, "I thought I'd get right down to the business of making some music."  His jovial banter and warm manner was infectious within the group and those gathered.  Watson spoke about marrying into a musical family and co-writing with his wife and his wife's sister.  My favorite piece had a mellower pace and blended in some Ellington'e musical phrases  and riffs from popular tunes such as "Favorite Things," The second to last piece was entitled "ETA," named when his wife was 8 months pregnant with their daughter.  The last piece of the night was "In Case you Missed It," which brought the music full-circle to the jaunty and timber rich sounds of their first pieces. The entire evening maintained an upbeat, celebratory vibe that heralds in a welcomed season ahead. 

Doc. FIRE of LOVE Volcanoes up Close and Personal

The visually stunning and hypnotic doc. "Fire of Love" is a compilation of videos and interviews of Maurice and Katia Kraft, a French couple who were professional volcanoes "chasers".  Much of the footage has never before been seen.  The scientific couple flicker on screen in front of majestic, volcanic eruptions.  Viewing the footage we can appreciate why they dedicated their lives to studying volcanoes throughout the world.  The film starts with footage on June 2, 1991.  The couple is seen on Mount Unzen in Japan just hours before they're killed instantly by the volcano's explosion.  Earlier, Maurice prophetically predicted his own death by such an explosion.  Katia explained she follows Maurice everywhere he goes because if he were to die there would be no reason to continue living.   Their passion for one another and their joint life's work is understandable and enviable but for a seeming death wish.  Regardless, the compilation of photographs, films and scientific notations amassed are immensely valuable.  In 1985, the couple made an impassioned plea to the government of Columbia to order an evacuation of citizens around the Nevado del Ruiz volcano because of its impending explosion.  Tragically, their warnings were unheeded.  The resulting devastation was staggering with an estimated loss of 25,000 lives.  Maurice and Katia vowed to make it a mission to alert nations to forewarn nations to avoid such needless tragedies in the future.  Their vigilance didn't prevent protecting themselves, their friends and crew filming on Mount Unzen.  "Fire of Love" is a fascinating and compelling film.  It's a charming, love story of two like minded individuals with a shared passion.  They met as college students, married soon after graduating and agreed not to have children and devote their energy towards documenting and understanding volcanoes and lava flows.  They traveled around the globe  pioneering the study of volcanoes and sharing their findings.  The film is also a breathtakingly, beautiful National Geographic expose of nature's destructive, omnipotent prowess. The movie works on both burners.  The narration deters from the film with sanguine quotes and its melancholic, monotone.   However, the score serves to intensify the magnificence of lava flows and volcanic eruptions.  This is a must see film to be seen on the big screen.   Its haunting imagery will emblazon molten memories into your cerebrum.   Maurice and Katia fell victim to their need for notoriety and funding which fueled their zeal to take their studies to the precipice.  "I prefer an intense and short life to a monotonous, long one." (M. Krafft) 

Jim Broadbent Helen Mirren Star THE DUKE Droll and Dame Mirren Shines in Her Role

THE DUKE (2020) is a perfectly charming film based on a true, albeit unbelievable, crime caper.  The unlikely hero is 60 year old Robin Hood wanna be, Kempton Bunton.  Bunton (the indomitable Jim Broadbent) incredulously steals a Goya painting, the of Duke Welling, from the National Gallery in 1961.  He attempts to ransom the painting for a peculiar amount.  The precise amount that would pay the license fees for all the working class veterans in his area.  Bunton was arrested and sent to jail for hooking his telly to the BBC without paying for the required license.  Incarceration rates would escalate in the US if citizens were arrested for clandestine cable connections.  Bunton, can't hold onto any sort of paying job  due to his incessant, pompous chatter or ill advised idealism.  Bunton's is a grandiose, blowhard and a wanna be playwright.   Bunton's persevering, long suffering and hard working wife, Dorothy, is portrayed  by Dame Helen Mirren.  If Mirren were to run for Queen she'd win, easily.  (Oh, I guess that's not how it works). Nonetheless, Mirren is acting royalty.  She gives the the film its heart and soul and the viewer their money's worth.  Mirren's love and frustration for her husband is endearing as well as perplexing.  Just when we've become frustrated with Bunton, he manages to ingratiate himself with his ideals or disarming unflappability.  Bunton is arrested upon returning the painting to the Gallery after realizing the ransom plan is flawed.  His court appointed attorney, Matthew Goode, admits a defense seems futile.  Goode is also one of Englands gifts to acting.  The courtroom drama is somewhat reminiscent of "Mr. Smith Goes to Washington" with a British flair.  You'll root for Bunton's acquittal.   Director Roger Michell (b S Africa 1956) directed Helen Mirren in "Elizabeth, A Portrait" and Julia Roberts in "Notting Hill". Sadly, the film was released posthumously after Michell's unexpected death in 2021.  THE DUKE makes a jolly good rental for watching at home on the telly.       

The BEAR-Hulu Series Puts Heat into the Kitchen WATCH IT!

Christopher Storer's new drama series, THE BEAR is an enticing ensemble drama set in a working class, Chicago neighborhood sandwich shop.  The central character, Carmyn "Carmy"(Jeremy Allen White) is a celebrated, top NYC restaurant chef.  Carmy returns to Chicago to take over his brother's popular sandwich shop shrouded in debt.  The story is told partly in flashback where we learn Michael, Carmyn's brother committed suicide and bequeathed the shop to him.  Richie (Ebon Moss-Bachrach) plays "Cousin Richie" Michael's best friend and partner in the business.  Most of the heat in the kitchen steams from Richie's resentful reluctance to adapt Carmyn's changes to running the business, managing the staff to convert the place into a polished, profitable dining establishment.  Richie's persona is a foul-mouthed, know-it-all tough with more soft spots than a wheel of Swiss.  Sydney (Ayo Edebiri) is a fine dining chef who seeks employment at The Bear, bearing her honed skills in the kitchen mired with top notch business acumen.  The two other main characters are Natalie "Sugar" Carmyn and Michael's loving and forbearing sister and Uncle Jimmy (the formidable Oliver Platt) as the wealthy, seemingly benevolent ally that wants to buy the business.  Michael was in debt to Uncle Michael for a $300K business loan.  The ingredients for a savoring soap opera are brewing but the taste de resistance is the mix of the actors from top to bottom that brings the pot to a simmer each episode.  Each episode leaves us craving for more.  The motley mix of employees with big hearts and stuffed inside a tiny space include pastry chef Marcus (Lionel Boyce), stubborn but dependable sous chef Tina (Liza Colon-Zayas) and Somalian chef Ebrahim (Edwin-Lee Gibson) a battle of Mogadishu survivor.   Shown in flashbacks is an unrecognizable Joel McHale as a villianous chef and former boss to Carmyn at the swanky NYC restaurant Eleven Madison.  The mixture is heavily laden with the cream of the crop actors.  The filming catches the intensity behind the scenes in restaurants, piques the salivating glands of foodies, pays homage to the Windy City and cooks up a souffle of suspense for what happened and mainly, for what the next course will serve up.  I give THE BEAR an A rating.   C'est Magnifique!