THE BIG KNIFE is Long & Dull

Clifford Odets, one of America's most influential playwrights of the 20th C, has had 2 of his plays revived on Broadway this year.  GOLDEN BOY was a an elegant & compelling drama with the outstanding actor, Tony Shalub.  THE BIG KNIFE @ the American Airlines Theatre (where the noise from the lounge next door is a constant distraction) is the 1st time Odet's play has been revived on B'wy since 1946.  The long hiatus was warranted.  This "KNIFE" is dull, obsolete and too long.  The play grapples with similar themes as Golden Boy; selling out, integrity and immortatlity. KNIFE lacked any humanity or warmth to stir any emotion.  The dialogue is trite and the demonic studio modus operandi  too incredulous.  "We need silence in this noisy, crappy world." Even Bobby Cannavale, the bankable Broadway star who plays, Charlie Castle, could not add heat to this tepid play.  Charlie & his wife, Marion (Marin Ireland) are on the verge of divorcing despite their proffered love for each other.  Marion pleads with him not to sign a 14 yr. studio contract, come with her back east and return to the stage. Alas, Charlie has already made a pact with the devil when he allowed the studio to cover for him; a fatal hit & run.  The KNIFE was too long.  I opted for silence from this crappy play and cut out at intermission.